Living Forms: Romantics and the Monumental FigureBased on years of archival research in various British and American libraries, Living Forms examines the early nineteenth century s fascination with representations of the human form, particularly those from the past, which, having no adequate verbal explanatory text, are vulnerable to having their meanings erased by time. The author explores a variety of such representations and responses to them, including Coleridge s Shakespeare lectures, Hazlitt s essays on portraits, Keats s poems on mythic and sculpted figures, meditations by Byron s Childe Harold on the monuments of Italy, Felicia Hemans s verses on monuments to and by women, and Shelley s poems and letters on figures from Italy, Egypt, and other antique lands. Haley argues that in what has been called the museum age, Romantics sought aesthetically to frame these figures as living forms, mental images capable of realization in alternate modes or forms. |
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Inhoudsopgave
CHAPTER ONE | 13 |
CHAPTER TWO | 35 |
CHAPTER THREE | 59 |
CHAPTER FOUR | 83 |
CHAPTER FIVE | 111 |
CHAPTER SIX | 129 |
CHAPTER SEVEN | 147 |
CHAPTER EIGHT | 165 |
Works Cited | 281 |
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aesthetic ancient artist beauty become begins body Book Byron called chapter character Childe Coleridge collection concept cultural dead death depicted described effect embodied essay example existence experience expression face fact feeling figures give Greek Hazlitt human idea ideal imagination important impression influence interpret Italy John Keats Keats's kind language lectures less Letters lines literary living London look marble meaning memory merely mind monumental museum nature object observed once original painting particular passage past period person picture play poem poet poetic poetry portrait present principle reader recalls record reference reflected represent representation Romantic ruins says scene sculpture seen sense Shakespeare shape Shelley Shelley's signifying silent soul speak spirit stand statue stone story symbol temple things thought tion tomb turns unity University Press visual vols whole Wordsworth writing York