Dwight's Journal of Music, Volumes 11-12John Sullivan Dwight Oliver Ditson & Company, 1858 |
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Pagina
... Overture , 92 ; Cantata : Christ , unser Herr , & c . , 154 ; his piano com- positions , ( Ro hlitz , ) 209 , 217 ; Violin Sonatas , 251 . Balfe : his " Rose of Castille , " . Balfe , M'e . Victoire ... .276 .90 , 110 Beethoven : his ...
... Overture , 92 ; Cantata : Christ , unser Herr , & c . , 154 ; his piano com- positions , ( Ro hlitz , ) 209 , 217 ; Violin Sonatas , 251 . Balfe : his " Rose of Castille , " . Balfe , M'e . Victoire ... .276 .90 , 110 Beethoven : his ...
Pagina 1
... overture to the last note of the final chorus , is an integral whole the singer and the auditor are alike borne along by it as upon a resistless current . The plot , though simple , is one of intense interest , and the passions ...
... overture to the last note of the final chorus , is an integral whole the singer and the auditor are alike borne along by it as upon a resistless current . The plot , though simple , is one of intense interest , and the passions ...
Pagina 5
... Overture Don Giovanni . PART I. 2 - Quartet by Mozart No. 2 . 3 - Adagio , Haydn , op . 54. Theme from " The Creation . " 4 - Solo for the Violin .. De Clercq . PART II . 1 - Overture Zimpa . 2 - Beethoven's Quartet No. 1 , Adagio . 3 ...
... Overture Don Giovanni . PART I. 2 - Quartet by Mozart No. 2 . 3 - Adagio , Haydn , op . 54. Theme from " The Creation . " 4 - Solo for the Violin .. De Clercq . PART II . 1 - Overture Zimpa . 2 - Beethoven's Quartet No. 1 , Adagio . 3 ...
Pagina 6
... overtures . The first did not satisfy . The third , known in our concerts as the " Leonora " overture , in C , is a different treatment of ideas found in No. 2 . This is by far the finest of the four , as well as by far the fittest ...
... overtures . The first did not satisfy . The third , known in our concerts as the " Leonora " overture , in C , is a different treatment of ideas found in No. 2 . This is by far the finest of the four , as well as by far the fittest ...
Pagina 7
... overtures to Oberon and Tannhäuser , and the hosts of smaller things which we shall mention , if The fourth Symphony and Tann- memory serve us . hauser overture were played at the Afternoon Concert of the ORCHESTRAL UNION . Nearly all ...
... overtures to Oberon and Tannhäuser , and the hosts of smaller things which we shall mention , if The fourth Symphony and Tann- memory serve us . hauser overture were played at the Afternoon Concert of the ORCHESTRAL UNION . Nearly all ...
Overige edities - Alles bekijken
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Populaire passages
Pagina 59 - Amidst the storm they sang, And the stars heard and the sea ; And the sounding aisles of the dim woods rang To the anthem of the free.
Pagina 132 - THERE is in souls a sympathy with sounds, And as the mind is pitched the ear is pleased With melting airs or martial, brisk or grave ; Some chord in unison with what we hear Is touched within us, and the heart replies.
Pagina 73 - Or tell a more marvellous tale. So she keeps him still a child, And will not let him go, Though at times his heart beats wild For the beautiful Pays de Vaud ; Though at times he hears in his dreams The Ranz des Vaches of old, And the rush of mountain streams From glaciers clear and cold ; And the mother at home says, " Hark ! For his voice I listen and yearn ; It is growing late and dark, And my boy does not return !
Pagina 157 - That even to birds, and beasts, the tender arts Of pleasing teaches. Hence the glossy kind Try every winning way inventive love Can dictate, and in courtship to their mates Pour forth their little souls.
Pagina 211 - Hide not thy face from me in the day when I am in trouble; incline thine ear unto me: in the day when I call answer me speedily.
Pagina 58 - ... tis said, when all were fired. Filled with fury, rapt, inspired, From the supporting myrtles round They snatched her instruments of sound ; And, as they oft had heard apart Sweet lessons of her forceful art, Each (for madness ruled the hour) Would prove his own expressive power. First Fear his hand, its skill to try, Amid the chords bewildered laid, And back recoiled, he knew not why, E'en at the sound himself had made.
Pagina 57 - The voice of him that crieth in the wilderness :— Prepare ye the way of the Lord : make straight in the desert a highway for our God. Every valley shall be exalted, and every mountain and hill made low, the crooked straight and the rough places plain...
Pagina 229 - The crimes and miseries in which she was an actor and a sufferer are as the mask and the mantle in which circumstances clothed her for her impersonation on the scene of the world.
Pagina 130 - One singer in particular, called Coletti or some such name, seemed to me, by the cast of his face, by the tones of his voice, by his general bearing, so far as I could read it, to be a man of deep and ardent sensibilities, of delicate intuitions, just sympathies ; originally an almost poetic soul, or man of genius, as we term it ; stamped by Nature as capable of far other work than squalling here, like a blind Samson, to make the Philistines sport...
Pagina 229 - ... golden hair escape, and fall about her neck. The moulding of her face is exquisitely delicate; the eyebrows are distinct and arched; the lips have that permanent meaning of imagination and sensibility which suffering has not repressed and which it seems as if death scarcely could extinguish. Her forehead is large and clear; her eyes, which we are told were remarkable for their vivacity, are swollen with weeping and lustreless, but beautifully tender and serene. In the whole mien there is...