Dwight's Journal of Music |
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Pagina
New method of teaching Singing . . . . . . . . . . . . . . . . . 206 Con - ideration for
Singers , . . 199 Cantata : Christ , unser Herr , & c . , 154 ; his piano
comSchoelcher ' s Life of Handel , . . . OPERA IN BOSTON : German troupe 5 , 12
, 14 : Maret.
New method of teaching Singing . . . . . . . . . . . . . . . . . 206 Con - ideration for
Singers , . . 199 Cantata : Christ , unser Herr , & c . , 154 ; his piano
comSchoelcher ' s Life of Handel , . . . OPERA IN BOSTON : German troupe 5 , 12
, 14 : Maret.
Pagina 3
crowded , and the performances , consisting of a The opera is in three acts ,
music composed by miscellaneous concert by the orchestra , Thalberg , Bishop ,
then a young man , and becoming very d ' Angri , and various German singing ...
crowded , and the performances , consisting of a The opera is in three acts ,
music composed by miscellaneous concert by the orchestra , Thalberg , Bishop ,
then a young man , and becoming very d ' Angri , and various German singing ...
Pagina 5
Coming to it with no musical Twelfth Mass and Romberg ' s “ Transient and
pletely German city ; the German manncrs , customs preparation , and even with
a contrary bias in Eternal , ” under the able conductorship of Mr . M . and speech
...
Coming to it with no musical Twelfth Mass and Romberg ' s “ Transient and
pletely German city ; the German manncrs , customs preparation , and even with
a contrary bias in Eternal , ” under the able conductorship of Mr . M . and speech
...
Pagina 6
... no work Jacquino and Rocco . The deliverance of the prisoner , made so
because This Canon is so exquishas been a greater favorite upon the German ite
, the characters so set apart in their answering stage . The plot is simple :
Florestan ...
... no work Jacquino and Rocco . The deliverance of the prisoner , made so
because This Canon is so exquishas been a greater favorite upon the German ite
, the characters so set apart in their answering stage . The plot is simple :
Florestan ...
Pagina 7
The entire German Opera Troupe : . ... the ear is charmThalberg played the Trio
admirably , especially the by the German Opera Troupe . ed , but your soul
shudders : “ We must straight Scherzo , which we never heard come out with
such MR .
The entire German Opera Troupe : . ... the ear is charmThalberg played the Trio
admirably , especially the by the German Opera Troupe . ed , but your soul
shudders : “ We must straight Scherzo , which we never heard come out with
such MR .
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We hebben geen reviews gevonden op de gebruikelijke plaatsen.
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
accompaniment admirable American appearance artists audience beautiful Beethoven better Boston Broadway called cents choir chorus Church Collection complete composer compositions concert contain effect England English excellent execution exhibition expression feeling Festival four friends gave German give given Glees grand Hall hand Handel harmony hear heard important Instruction interest Italian Italy Journal less London look Mass master means MEDAL melody Miss Mozart musicians nature never notes opera Oratorios orchestra organ original overture Paris performance piano PIANO-FORTE pieces played present Price published received School season seems singers singing Society solo song soprano sound Street style success sung tenor theatre thing thought tion tone true violin vocal voice Washington week whole York young
Populaire passages
Pagina 59 - Amidst the storm they sang, And the stars heard and the sea ; And the sounding aisles of the dim woods rang To the anthem of the free.
Pagina 132 - THERE is in souls a sympathy with sounds, And as the mind is pitched the ear is pleased With melting airs or martial, brisk or grave ; Some chord in unison with what we hear Is touched within us, and the heart replies.
Pagina 73 - Or tell a more marvellous tale. So she keeps him still a child, And will not let him go, Though at times his heart beats wild For the beautiful Pays de Vaud ; Though at times he hears in his dreams The Ranz des Vaches of old, And the rush of mountain streams From glaciers clear and cold ; And the mother at home says, " Hark ! For his voice I listen and yearn ; It is growing late and dark, And my boy does not return !
Pagina 157 - That even to birds, and beasts, the tender arts Of pleasing teaches. Hence the glossy kind Try every winning way inventive love Can dictate, and in courtship to their mates Pour forth their little souls.
Pagina 211 - Hide not thy face from me in the day when I am in trouble; incline thine ear unto me: in the day when I call answer me speedily.
Pagina 58 - ... tis said, when all were fired. Filled with fury, rapt, inspired, From the supporting myrtles round They snatched her instruments of sound ; And, as they oft had heard apart Sweet lessons of her forceful art, Each (for madness ruled the hour) Would prove his own expressive power. First Fear his hand, its skill to try, Amid the chords bewildered laid, And back recoiled, he knew not why, E'en at the sound himself had made.
Pagina 57 - The voice of him that crieth in the wilderness :— Prepare ye the way of the Lord : make straight in the desert a highway for our God. Every valley shall be exalted, and every mountain and hill made low, the crooked straight and the rough places plain...
Pagina 229 - The crimes and miseries in which she was an actor and a sufferer are as the mask and the mantle in which circumstances clothed her for her impersonation on the scene of the world.
Pagina 130 - One singer in particular, called Coletti or some such name, seemed to me, by the cast of his face, by the tones of his voice, by his general bearing, so far as I could read it, to be a man of deep and ardent sensibilities, of delicate intuitions, just sympathies ; originally an almost poetic soul, or man of genius, as we term it ; stamped by Nature as capable of far other work than squalling here, like a blind Samson, to make the Philistines sport...
Pagina 229 - ... golden hair escape, and fall about her neck. The moulding of her face is exquisitely delicate; the eyebrows are distinct and arched; the lips have that permanent meaning of imagination and sensibility which suffering has not repressed and which it seems as if death scarcely could extinguish. Her forehead is large and clear; her eyes, which we are told were remarkable for their vivacity, are swollen with weeping and lustreless, but beautifully tender and serene. In the whole mien there is...
Bibliografische gegevens
| Titel | Dwight's Journal of Music |
| Redacteur | John Sullivan Dwight |
| Uitgever | Oliver Ditson & Company, 1858 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 7 aug 2007 |
| Citatie exporteren | BiBTeX EndNote RefMan |