The Napkin Manuscripts: Selected Essays and an InterviewUniversity of Tennessee Press, 2006 - 207 pagina's The Napkin Manuscripts is a collection of twenty-two engaging prose pieces written over the past several decades by Michael McFee – poet, essayist, editor, and teacher. Taken together, they constitute a wide-ranging exploration of what working writers do, how they do it, and what it means. The book is divided into four parts: Section one is composed of personal essays, and is rooted in the landscape and culture of the Blue Ridge Mountains of North Carolina, where the author grew up and where he often returns for inspiration. Section two gathers essays about the literary life and writing, among them pieces on editing, on teaching, on memorizing poetry, on rejection slips, on typewriters, and on becoming and being a writer. Section three collects seven essays about individual Appalachian writers, among them Fred Chappell, Kathryn Stripling Byer, and Robert Morgan. Section four consists of a public interview conducted at the Michael McFee Literary Festival at Emory & Henry College a few years ago, and recapitulates many of the book’s topics in lively conversational form. The Napkin Manuscripts will appeal to anyone with a connection to Appalachia and the South; to readers interested in contemporary poetry and literature; and to teachers, writers, and students of poetry, essays, and creative non-fiction. |
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Pagina 73
... light - hearted to the pon- derous - are centered in this belief . These letters sound immature , but isn't their naïveté preferable to the net- working of the insiders ? At any rate , both groups are indulging false impres- sions of ...
... light - hearted to the pon- derous - are centered in this belief . These letters sound immature , but isn't their naïveté preferable to the net- working of the insiders ? At any rate , both groups are indulging false impres- sions of ...
Pagina 155
... light but lie low in the light as in a high testimony ; when you consider the radiance , that it will look into the guiltiest swervings of the weaving heart and bear itself upon them , not flinching into disguise or darkening ; when you ...
... light but lie low in the light as in a high testimony ; when you consider the radiance , that it will look into the guiltiest swervings of the weaving heart and bear itself upon them , not flinching into disguise or darkening ; when you ...
Pagina 156
... light in its struggle with darkness that there is as much to say and more for the one side and that not the darker ... light ; Who most shall advance the light- call it what you may ! " It is all , " as Williams says a 156 • Design of ...
... light in its struggle with darkness that there is as much to say and more for the one side and that not the darker ... light ; Who most shall advance the light- call it what you may ! " It is all , " as Williams says a 156 • Design of ...
Inhoudsopgave
Back Home | 5 |
Unsent Letter to Robert Morgan | 17 |
Christmases with Flannery | 25 |
Copyright | |
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Appalachian Barrax become begins blue body called Carl Sandburg Chappell character comes cover dark death Design don't early editor epigrams especially experience eyes feel final Fred give hand head hear heart Hill hope human imagination interested it's kind language later learned least leave less letters light lines literary living look magazine matter McFee mean memorable mind Morgan moth mountains move nature never night North Carolina notes once opening person Piedmont pleasure poem poet poetic poetry possible Press published reader recite remember Review Robert scar seems slip sometimes sound Southern speaker stanza story sure surprise teacher teaching tell there's things turn University voice walk whole writing written wrote