Oral Reading & Public SpeakingRichard G. Badger, 1918 - 499 pagina's |
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Pagina ix
... Inflection — General Law of Inflection — Appli- cation of General Law - Faults in Speech Melody - Exercises . CHAPTER VI . FORCE Definitions - Loudness - Volume- Intensity- Stress - Exer- cises . CHAPTER VII . MOVEMENT Time - Rate ...
... Inflection — General Law of Inflection — Appli- cation of General Law - Faults in Speech Melody - Exercises . CHAPTER VI . FORCE Definitions - Loudness - Volume- Intensity- Stress - Exer- cises . CHAPTER VII . MOVEMENT Time - Rate ...
Pagina 17
... inflection , pitch , time , or any other of the vocal functions demanded for a full intellectual and spir- itual interpretation . A poem is not truly a poem until it is voiced by an accomplished reader who adequately has assimilated it ...
... inflection , pitch , time , or any other of the vocal functions demanded for a full intellectual and spir- itual interpretation . A poem is not truly a poem until it is voiced by an accomplished reader who adequately has assimilated it ...
Pagina 64
... Inflection . Inflection refers to the bend or wave of the voice above or below the key . The Slide denotes a pro- 1 Ca- longed inflection extending over a number of words 64 MELODY Definitions-Table of Voice Types-Pitch-Compass-Key.
... Inflection . Inflection refers to the bend or wave of the voice above or below the key . The Slide denotes a pro- 1 Ca- longed inflection extending over a number of words 64 MELODY Definitions-Table of Voice Types-Pitch-Compass-Key.
Pagina 65
John Reinder Pelsma. 1 Ca- longed inflection extending over a number of words . dence is a term usually applied to the inflection at the close of a sentence . -High Soprano -Middle soprano Contralto Male Alto Tenor f G Barytone Bass A ...
John Reinder Pelsma. 1 Ca- longed inflection extending over a number of words . dence is a term usually applied to the inflection at the close of a sentence . -High Soprano -Middle soprano Contralto Male Alto Tenor f G Barytone Bass A ...
Pagina 66
... Inflection , emphasis , climax , and modulation generally depend upon it . The normal key will vary with the individual . Physio- logical conditions will determine what the key of one's voice shall be . The point is , are you using to ...
... Inflection , emphasis , climax , and modulation generally depend upon it . The normal key will vary with the individual . Physio- logical conditions will determine what the key of one's voice shall be . The point is , are you using to ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
argument articulation audience beautiful bells Billy Sunday body brave breath Brutus Cæsar called Catiline Circumflex crowd dead death debate delivered delivery Demosthenes effective eloquence emotions emphasis England example exercises expression extempore eyes father feel force Freedom calls gesture give hand hard palate hear heard hearer heart honor human voice ideas inflection Julius Cæsar King lips live look Lord loud meaning message to Garcia method mind mouth natural never oral orator pause phrases pitch poem Poet practice public speaking reader reading reason rising selection sentence SHAKESPEARE side sing soft palate song soul sound speaker speech stand stanza student style suggested tell temperance movement Tennyson thee thing thou thought throat tion tone tongue truth unto usually vibrations vocal cords voice Warren Hastings words
Populaire passages
Pagina 423 - Who is here so base, that would be a bondman? If any, speak; for him have I offended. Who is here so rude , that would not be a Roman? If any, speak; for him have I offended. Who is here so vile, that will not love his country? If any, speak; for him have I offended. I pause for a reply.
Pagina 394 - With a bare bodkin ? who would fardels bear, To grunt and sweat under a weary life ; But that the dread of something after death, — The undiscovered country, from whose bourn No traveller returns, — puzzles the will ; And makes us rather bear those ills we have, Than fly to others that we know not of? Thus conscience does make cowards of us all...
Pagina 408 - And he arose, and came to his father. But when he was yet a great way off, his father saw him, and had compassion, and ran, and fell on his neck, and kissed him.
Pagina 322 - For you bouquets and ribbon'd wreaths— for you the shores a-crowding, For you they call, the swaying mass, their eager faces turning; Here Captain! dear father! This arm beneath your head! It is some dream that on the deck, You've fallen cold and dead.
Pagina 397 - Let's dry our eyes ; and thus far hear me, Cromwell ; And when I am forgotten, as I shall be, And sleep in dull cold marble, where no mention Of me more must be heard of, say I taught thee...
Pagina 408 - And he, answering, said to his father, Lo, these many years do I serve thee; neither transgressed I at any time thy commandment; and yet thou never gavest me a kid, that I might make merry with my friends: 30.
Pagina 69 - Be that word our sign of parting, bird or fiend!" I shrieked, upstarting "Get thee back into the tempest and the Night's Plutonian shore ! Leave no black plume as a token of that lie thy soul hath spoken ! Leave my loneliness unbroken! quit the bust above my door! Take thy beak from out my heart, and take thy form from off my door!
Pagina 112 - For the moon never beams without bringing me dreams Of the beautiful ANNABEL LEE ; And the stars never rise, but I feel the bright eyes Of the beautiful ANNABEL LEE.
Pagina 92 - midst falling dew, While glow the heavens with the last steps of day, Far, through their rosy depths, dost thou pursue Thy solitary way ? Vainly the fowler's eye Might mark thy distant flight to do thee wrong, As, darkly painted on the crimson sky, Thy figure floats along.
Pagina 399 - For I can raise no money by vile means: By heaven, I had rather coin my heart, And drop my blood for drachmas, than to wring From the hard hands of peasants their vile trash By any indirection...