The Works of Richard Hurd, Lord Bishop of Worcester: Critical worksT. Cadell and W. Davies, Strand, 1811 |
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Pagina
... Imitation . DISSERTATION IV . Page . 1 27 107 On the Marks of Imitation . 243 MOITANZBERIⱭI JAUXTLED I ' Oи LHE IDEY OF NAUTERŤY DUELÁ.
... Imitation . DISSERTATION IV . Page . 1 27 107 On the Marks of Imitation . 243 MOITANZBERIⱭI JAUXTLED I ' Oи LHE IDEY OF NAUTERŤY DUELÁ.
Pagina
... IMITATION . IV . ON THE MARKS OF IMITATION . VATIBVS ADDERE CALCAR , VT STVDIO MAIORE PETANT HELICONA VIRENTEM . HOR . CYNE DIEMZE OS COUTUR IÐNY VA ན་ ང་ ་ ༧.
... IMITATION . IV . ON THE MARKS OF IMITATION . VATIBVS ADDERE CALCAR , VT STVDIO MAIORE PETANT HELICONA VIRENTEM . HOR . CYNE DIEMZE OS COUTUR IÐNY VA ན་ ང་ ་ ༧.
Pagina 37
... imitation of characters , whatever be the distinct meaning of the term φαυλότεροι . It is true , this critic , in his account of the origin of tra- gedy and comedy , makes them both the imitations of AC- Οἱ μὲν σεμνότεροι ΤΑΣ ΚΑΛΑΣ ...
... imitation of characters , whatever be the distinct meaning of the term φαυλότεροι . It is true , this critic , in his account of the origin of tra- gedy and comedy , makes them both the imitations of AC- Οἱ μὲν σεμνότεροι ΤΑΣ ΚΑΛΑΣ ...
Pagina 40
... imitation is that to which the comic poet addresses himself ; but such pic- tures of eminent worth or villainy seize upon the moral sense ; and by raising the strong correspondent passions of admiration and ab- horrence , turn us aside ...
... imitation is that to which the comic poet addresses himself ; but such pic- tures of eminent worth or villainy seize upon the moral sense ; and by raising the strong correspondent passions of admiration and ab- horrence , turn us aside ...
Pagina 65
... imitation of light and trivial actions , provoking ridicule . His notion was taken from the state and prac- tice of the Athenian stage ; that is , from the old or middle comedy , which answers to this description . The great revolution ...
... imitation of light and trivial actions , provoking ridicule . His notion was taken from the state and prac- tice of the Athenian stage ; that is , from the old or middle comedy , which answers to this description . The great revolution ...
Overige edities - Alles bekijken
The Works of Richard Hurd, Lord Bishop of Worcester: Critical works Richard Hurd Volledige weergave - 1811 |
The Works of Richard Hurd, Lord Bishop of Worcester: Critical works Richard Hurd Volledige weergave - 1811 |
Veelvoorkomende woorden en zinsdelen
action admiration Aelian Aeneis affections allusion ancient appear Aristotle beauty BISHOP OF WORCESTER cerned character chuses circumstances comedy comic common conclusion copied critic degree delight disposition doth drama draught end of poetry entertainment epic Euripides expression fable fancy FARCE genius ginal give GONDIBERT Greece Greek hath Homer human humour idea imagery imagination imita instance invention Italian Jonson kind language Latin learned Ludlow Castle manners MARKS OF IMITATION mean Milton mind modern nature nihil numbers object observation occasion original particular passion peculiar perhaps periphrasis persons picture Plato Plautus pleasure poem poet poet's poetic Pope proper province racter reader reason reflexions religion repre representation resemblance rhyme RICHARD HURD ridicule rience scene sense sentiment Shakespear shew similar sion sort speak species Statius taken taste Theophrastus things thought tion tragedy true truth turn verse Virgil WILLIAM JEPHSON words καὶ
Populaire passages
Pagina 258 - Created half to rise, and half to fall; Great lord of all things, yet a prey to all; Sole judge of Truth, in endless Error hurl'd: The glory, jest, -and riddle of the world!
Pagina 246 - Begin to cast a beam on the outward shape, 460 The unpolluted temple of the mind, And turns it by degrees to the soul's essence, Till all be made immortal ; but when lust By unchaste looks, loose gestures, and foul talk, But most by lewd and lavish act of sin, Lets in defilement to the inward parts, The soul grows clotted by contagion, Imbodies, and imbrutes, till she quite lose The divine property of her first being.
Pagina 247 - How charming is divine Philosophy! Not harsh and crabbed, as dull fools suppose, But musical as is Apollo's lute, And a perpetual feast of nectar'd sweets, Where no crude surfeit reigns.
Pagina 245 - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become • A kneaded clod...
Pagina 292 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Pagina 284 - Lets in new light through chinks that Time has made: Stronger by weakness, wiser men become As they draw near to their eternal home. Leaving the old, both worlds at once they view That stand upon the threshold of the new.
Pagina 125 - It was the lark, the herald of the morn, No nightingale ; look, love, what envious streaks Do lace the severing clouds in yonder east. Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops; I must be gone and live, or stay and die.
Pagina 284 - And, as I wake, sweet music breathe Above, about, or underneath, Sent by some spirit to mortals good, Or the unseen Genius of the wood.
Pagina 249 - Sirens' harmony, That sit upon the nine infolded spheres, And sing to those that hold the vital shears, And turn the adamantine spindle round On which the fate of gods and men is wound.
Pagina 234 - Therefore they who say our thoughts are not our own because they resemble the Ancients may as well say our faces are not our own because they are like our fathers...