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and more awful signification than Taylor himself seems to have contemplated when he uttered them.

THE

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HE same reasons which rendered Goethe's "Werther" so popular, so passionately admired at the time it appeared-just after the seven years' war, helped to render Lord Byron so popular in his time. It was not the individuality of " Werther," nor the individuality of "Childe Harold" which produced the effect of making them, for a time, a pervading power, a part of the life of their contemporaries. It was because in both cases a chord was struck which was ready to vibrate. A phase of feeling preexistent, palpitating at the heart of society, which had never found expression in any poetic form since the days of Dante, was made visible and audible as if by an electric force; words and forms were given to a diffused sentiment of pain and resistance, caused by a long period of war, of political and social commotion, and of unhealthy moral excitement. "Werther " and " Childe Harold" will never perish; because, though they have ceased to be the echo of a wide despair, there will always be, unhappily, individual minds and hearts to respond to the individuality.

LORD BYRON has sometimes, to use his own expression, "curdled" a whole world of meaning into the compass of one line:

"The starry Galileo and his woes."

"The blind old man of Chio's rocky isle."

Here every word, almost every syllable, paints an idea. Such lines are picturesque. And I remember another, from Thomson, I think:

"Placed far amid the melancholy main."

In general, where words are used in description, the objects and ideas flow with the words in succession. But in each of these lines the mind takes in a wide horizon, comprising a multitude of objects at once, as the eye takes in a picture, with scene, and action, and figures, foreground and background, all at once. That is the reason I call such lines picturesque.

F

53.

I

HAVE a great admiration for power, a great terror of weakness—especially in my own sex,—yet feel that my love is for those who overcome the mental and moral suffering and temptation, through excess of tenderness rather than through excess of strength; for those whose refinement and softness of nature mingling with high intellectual power and the capacity for strong passion, present to me a problem to solve, which, when solved, I take to my heart. The question is not, which of the two diversities of character be the highest and best, but which is most sympathetic with my own.

C

54.

told me, that some time

poor ago, when Bethune the Scotch poet first became known, and was in great hardship, Chimself had collected a little sum (about 307.), and sent it to him through his publishers. Bethune wrote back to refuse it absolutely, and to say that, while he had head and hands, he would not accept charity. Cwrote to him in answer, still anonymously, arguing

against the principle, as founded in false pride, &c. Now poor Bethune is dead, and the money is found untouched,-left with a friend to be returned to the

donors!

This sort of disgust and terror, which all finely constituted minds feel with regard to pecuniary obligation,—my own utter repugnance to it, even from the hands of those I most love,—makes one sad to think of. It gives one such a miserable impression of our social humanity!

Goethe makes the same remark in the "Wilhelm Meister: "Es ist sonderbar welch ein wunderliches Bedenken man sich macht, Geld von Freunden und Gönnern anzunehmen, von denen man jede andere Gabe mit Dank und Freude empfangen würde."

66

"IN

55.

N the celestial hierarchy, according to Dionysius Areopageta, the angels of Love hold the first place, the angels of Light the second, and the

Thrones and Dominations the third. Among terrestrials, the Intellects, which act through the imagination upon the heart of man-i. e. poets and artists-may be accounted first in order; the merely scientific intellects the second; and the merely ruling intellects-those which apply themselves to the government of mankind, without the aid of either science or imagination—will not be disparaged if they are placed last.”

All government, all exercise of power-no matter in what form which is not based in love and directed by knowledge, is a tyranny. It is not of God, and shall not stand.

"A time will come when the operations of charity will no longer be carried on by machinery, relentless, ponderous, indiscriminate, but by human creatures, watchful, tearful, considerate, and wise."Westminster Review.

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56.

HOSE writers who never go further into a subject THOSE than is compatible with making what they say indisputably clear to man, woman, and child, may be

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