A CERTAIN holy anchorite had passed a long life in a cave of the Thebaid, remote from all communion with men; and eschewing, as he would the gates of Hell, even the very presence of a woman; and he fasted and prayed, and performed many and severe penances; and his whole thought was how he should make himself of account in the sight of God, that he might enter into his paradise.

And having lived this life for three score and ten

years he was puffed up with the notion of his own great virtue and sanctity, and, like to St. Anthony, he besought the Lord to show him what saint he should emulate as greater than himself, thinking perhaps, in his heart, that the Lord would answer that none was greater or holier. And the same night the angel of God appeared to him, and said, "If thou wouldst excel all others in virtue and sanctity, thou must strive to be like a certain minstrel who goes begging and singing from door to door."

And the holy man was in great astonishment, and he arose and took his staff and ran forth in search of this minstrel; and when he had found him he questioned him earnestly, saying, "Tell me, I pray thee, my brother, what good works thou hast performed in thy lifetime, and by what prayers and penances thou hast made thyself acceptable to God?'

And the man, greatly wondering and ashamed to be so questioned, hung down his head as he replied, "I beseech thee, holy father, mock me not! I have performed no good works, and as to praying, alas! sinner that I am, I am not worthy to pray. I do nothing but go about from door to door amusing the people with my viol and my flute."

And the holy man insisted and said, “Nay, but peradventure in the midst of this thy evil life thou hast done some good works?" And the minstrel replied, “I know of nothing good that I have done.”

And the hermit, wondering more and more, said, "How hast thou become a beggar: hast thou spent thy substance in riotous living, like most others of thy calling?" and the man answering, said, "Nay; but there was a poor woman whom I found running hither and thither in distraction, for her husband and her children had been sold into slavery to pay a debt. And the woman being very fair, certain sons of Belial pursued after her; so I took her home to my hut and protected her from them, and I gave her all I possessed to redeem her family, and conducted her in safety to the city, where she was reunited to her husband and children. But what of that, my father; is there a man who would not have done the same ?"

And the hermit, hearing the minstrel speak these words, wept bitterly, saying, " For my part, I have not done so much good in all my life; and yet they call me a man of God, and thou art only a poor minstrel!"

At Vienna, some years ago, I saw a picture by Von Schwind, which was conceived in the spirit of this old apologue. It exhibited the lives of two twin brothers diverging from the cradle. One of them, by profound study, becomes a most learned. and skilful physician, and ministers to the sick; attaining to great riches and honours through his labours and his philanthropy. The other brother,

who has no turn for study, becomes a poor fiddler, and spends his life in consoling, by his music, sufferings beyond the reach of the healing art. In the end, the two brothers meet at the close of life. He who had been fiddling through the world is sick and worn out his brother prescribes for him, and is seen culling simples for his restoration, while the fiddler touches his instrument for the solace of his kind physician.

It is in such representations that painting did once speak, and might again speak to the hearts of the people.

Another version of the same thought, we find in De Berenger's pretty ballad, "Les deux Sœurs de Charité."

2.

HEN I was a child, and read Milton for the first

W time, his Pandemonium seemed to me a mag

nificent place. It struck me more than his Paradise, for that was beautiful, but Pandemonium was terrible and beautiful too. The wondrous fabric that" from

the earth rose like an exhalation to the sound of dulcet symphonies and voices sweet,"

the splendid

piles of architecture sweeping line beyond line, "Cornice and frieze with bossy sculptures graven," -realised a certain picture of Palmyra I had once seen, and which had taken possession of my imagination: then the throne, outshining the wealth of Ormuz and of Ind, the flood of light streaming from "starry lamps and blazing cressets" quite threw the flames of perdition into the shade. As it was said of Erskine, that he always spoke of Satan with respect, as of a great statesman out of place, a sort of leader of the Opposition; so to me the grand arch-fiend was a hero, like my then favourite Greeks and Romans, a Cymon, a Curtius, a Decius, devoting himself for the good of his country; such was the moral confusion created in my mind. Pandemonium inspired no horror; on the contrary, my fancy revelled in the artistic beauty of the creation. I felt that I should like to go and see it; so that, in fact, if Milton meant to inspire abhorrence, he has failed, even to the height of his sublimity. Dante has succeeded better. Those who dwell with complacency on the doctrine of eternal punishments must delight in the ferocity and the ingenuity of his grim inventions, worthy of a vengeful theology. Wicked latitudinarians may shudder and shiver at the images called up-grotesque, abominable, hideous-but then Dante him