Critical Essays on Robert BrowningMary Ellis Gibson G.K. Hall, 1992 - 275 pagina's |
Vanuit het boek
Resultaten 1-3 van 66
Pagina 58
... writing emerges from Derrida's essay on " Freud and the Scene of Writing , " notably from the last section on Freud's piece of wax , or Mystic Pad ; using the example of " Two in the Campagna , " this image might be applied to Victorian ...
... writing emerges from Derrida's essay on " Freud and the Scene of Writing , " notably from the last section on Freud's piece of wax , or Mystic Pad ; using the example of " Two in the Campagna , " this image might be applied to Victorian ...
Pagina 59
... writing a singular entity ; the subject does not exist if we mean " some sovereign solitude of the author " ( p . 226 ) . Derrida is careful to refer to the subject of writing , which is to be distinguished from the subject as ...
... writing a singular entity ; the subject does not exist if we mean " some sovereign solitude of the author " ( p . 226 ) . Derrida is careful to refer to the subject of writing , which is to be distinguished from the subject as ...
Pagina 60
... Writing is characterized by iterability and loss . To be committed to writing is to be committed to the paradox of a constitution which is dissolution , a " representation " which is " death " ( p . 227 ) . To come into being in the writing ...
... Writing is characterized by iterability and loss . To be committed to writing is to be committed to the paradox of a constitution which is dissolution , a " representation " which is " death " ( p . 227 ) . To come into being in the writing ...
Inhoudsopgave
Dramatic Monologue and the Overhearing of Lyric | 21 |
Dramatic I Poems and Their Theoretical Implications | 37 |
Victorian Poetry | 54 |
Copyright | |
10 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
action Andromeda appears artist attempt audience authority become beginning Book Browning's called character Cleon communication complex consciousness context course critics culture death describes desire discourse discussion dramatic monologue dream early effect Elizabeth Barrett Browning English essay experience expression fact feeling female figure finally force human imagination important individual interest interpretation Italy John kind language later letter lines literary living look Lover lyric meaning mind moral myth nature never Notes object once origins person play poem poet poet's poetic poetry political Porphyria's possibility present Press primitive projection question reader reading relation remains represented response Review Robert Browning Romantic scene seems sense Sordello soul speak speaker speech stanza story Strafford structure Studies suggests thing thought turn understanding University Victorian voice whole woman writing York