Critical Essays on Robert BrowningMary Ellis Gibson G.K. Hall, 1992 - 275 pagina's |
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Pagina 95
... voice , we shall be bound to answer , as Rader does , that we do not . But this poem contains a complication that is not found in the earlier poem . After eight verse ... voice . It is the voice of a hypothetical language LOY MARTIN ♢ 95.
... voice , we shall be bound to answer , as Rader does , that we do not . But this poem contains a complication that is not found in the earlier poem . After eight verse ... voice . It is the voice of a hypothetical language LOY MARTIN ♢ 95.
Pagina 96
Mary Ellis Gibson. voice . It is the voice of a hypothetical language , one that displays the dialectic between the idiosyncratic and the generally shared . Thus the central contradiction of the dramatic monologue sets , as it did in ...
Mary Ellis Gibson. voice . It is the voice of a hypothetical language , one that displays the dialectic between the idiosyncratic and the generally shared . Thus the central contradiction of the dramatic monologue sets , as it did in ...
Pagina 193
... voice in Pippa's song , he still longs " to hear / God's voice plain , ” and deludes himself with the notion that he had heard it previously , " before / They broke in with their laughter ! " ( II.303-305 ) . In Part III , Pippa's song ...
... voice in Pippa's song , he still longs " to hear / God's voice plain , ” and deludes himself with the notion that he had heard it previously , " before / They broke in with their laughter ! " ( II.303-305 ) . In Part III , Pippa's song ...
Inhoudsopgave
Dramatic Monologue and the Overhearing of Lyric | 21 |
Dramatic I Poems and Their Theoretical Implications | 37 |
Victorian Poetry | 54 |
Copyright | |
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action Andromeda appears artist attempt audience authority become beginning Book Browning's called character Cleon communication complex consciousness context course critics culture death describes desire discourse discussion dramatic monologue dream early effect Elizabeth Barrett Browning English essay experience expression fact feeling female figure finally force human imagination important individual interest interpretation Italy John kind language later letter lines literary living look Lover lyric meaning mind moral myth nature never Notes object once origins person play poem poet poet's poetic poetry political Porphyria's possibility present Press primitive projection question reader reading relation remains represented response Review Robert Browning Romantic scene seems sense Sordello soul speak speaker speech stanza story Strafford structure Studies suggests thing thought turn understanding University Victorian voice whole woman writing York