Critical Essays on Robert BrowningMary Ellis Gibson G.K. Hall, 1992 - 275 pagina's |
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Pagina 32
... understanding poetry through a New Criticism rely on a fiction that baffles the understanding ? These are related questions , and their answers probably lie in considerations of pedagog- ical expediency . One such consideration must be ...
... understanding poetry through a New Criticism rely on a fiction that baffles the understanding ? These are related questions , and their answers probably lie in considerations of pedagog- ical expediency . One such consideration must be ...
Pagina 46
... understanding the " other . " This agrees with and glosses Langbaum's statement , quoted above , that " we understand the speaker of the dramatic monologue by sympathizing with him , and yet by remaining aware of the moral judgment we ...
... understanding the " other . " This agrees with and glosses Langbaum's statement , quoted above , that " we understand the speaker of the dramatic monologue by sympathizing with him , and yet by remaining aware of the moral judgment we ...
Pagina 47
... understanding . ( This is equivalent in reference to the familiar but inadequate and incomplete characterization of the dramatic monologue as involving a " study " of " character . " ) In presenting the character as if autono- mous and ...
... understanding . ( This is equivalent in reference to the familiar but inadequate and incomplete characterization of the dramatic monologue as involving a " study " of " character . " ) In presenting the character as if autono- mous and ...
Inhoudsopgave
Dramatic Monologue and the Overhearing of Lyric | 21 |
Dramatic I Poems and Their Theoretical Implications | 37 |
Victorian Poetry | 54 |
Copyright | |
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action Andromeda appears artist attempt audience authority become beginning Book Browning's called character Cleon communication complex consciousness context course critics culture death describes desire discourse discussion dramatic monologue dream early effect Elizabeth Barrett Browning English essay experience expression fact feeling female figure finally force human imagination important individual interest interpretation Italy John kind language later letter lines literary living look Lover lyric meaning mind moral myth nature never Notes object once origins person play poem poet poet's poetic poetry political Porphyria's possibility present Press primitive projection question reader reading relation remains represented response Review Robert Browning Romantic scene seems sense Sordello soul speak speaker speech stanza story Strafford structure Studies suggests thing thought turn understanding University Victorian voice whole woman writing York