Critical Essays on Robert BrowningMary Ellis Gibson G.K. Hall, 1992 - 275 pagina's |
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Pagina 142
... thing that one can attempt in the way of poetry . ' . . . An allegory of the state of one's own mind , the highest problem of an art which imitates actions ! No assuredly , it is not , it never can be so : no great poetical work has ...
... thing that one can attempt in the way of poetry . ' . . . An allegory of the state of one's own mind , the highest problem of an art which imitates actions ! No assuredly , it is not , it never can be so : no great poetical work has ...
Pagina 161
... things addressed to a second sight , and we are often required to see double in order to apprehend its meaning . -Richard Hengist Horne ( 1842 ) When I began , Browning was the only thing to go on from - the only live form . -Ezra Pound ...
... things addressed to a second sight , and we are often required to see double in order to apprehend its meaning . -Richard Hengist Horne ( 1842 ) When I began , Browning was the only thing to go on from - the only live form . -Ezra Pound ...
Pagina 255
... things . Things , objects of desire , take the place of love , of wisdom , of indeed any other ideas of order , when ... thing — is scripture for the reader . But freedom of speech , interpretation , thought , and publication , though ...
... things . Things , objects of desire , take the place of love , of wisdom , of indeed any other ideas of order , when ... thing — is scripture for the reader . But freedom of speech , interpretation , thought , and publication , though ...
Inhoudsopgave
Dramatic Monologue and the Overhearing of Lyric | 21 |
Dramatic I Poems and Their Theoretical Implications | 37 |
Victorian Poetry | 54 |
Copyright | |
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action Andromeda appears artist attempt audience authority become beginning Book Browning's called character Cleon communication complex consciousness context course critics culture death describes desire discourse discussion dramatic monologue dream early effect Elizabeth Barrett Browning English essay experience expression fact feeling female figure finally force human imagination important individual interest interpretation Italy John kind language later letter lines literary living look Lover lyric meaning mind moral myth nature never Notes object once origins person play poem poet poet's poetic poetry political Porphyria's possibility present Press primitive projection question reader reading relation remains represented response Review Robert Browning Romantic scene seems sense Sordello soul speak speaker speech stanza story Strafford structure Studies suggests thing thought turn understanding University Victorian voice whole woman writing York