Critical Essays on Robert BrowningMary Ellis Gibson G.K. Hall, 1992 - 275 pagina's |
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Pagina 86
... stanza is at once made of a language - to - make - stanzas and a language- to - make - sentences , and it is nearly possible to read them both separately but concurrently . This is not to say that the stanza would have exactly the same ...
... stanza is at once made of a language - to - make - stanzas and a language- to - make - sentences , and it is nearly possible to read them both separately but concurrently . This is not to say that the stanza would have exactly the same ...
Pagina 95
... stanza eight , while his reenactment of the song is wholly contained in stanza nine . Nevertheless , this division is not observed when it comes to the verse line . The final line fragment of stanza eight , " As I sang , " is completed ...
... stanza eight , while his reenactment of the song is wholly contained in stanza nine . Nevertheless , this division is not observed when it comes to the verse line . The final line fragment of stanza eight , " As I sang , " is completed ...
Pagina 153
... stanza nine . The poem's three final stanzas celebrate the recovery of the " glory and the dream " whose loss is mourned in stanzas one through four . In Wordsworth's poem , joy is in fact the emotional counterpart of idealized ...
... stanza nine . The poem's three final stanzas celebrate the recovery of the " glory and the dream " whose loss is mourned in stanzas one through four . In Wordsworth's poem , joy is in fact the emotional counterpart of idealized ...
Inhoudsopgave
Dramatic Monologue and the Overhearing of Lyric | 21 |
Dramatic I Poems and Their Theoretical Implications | 37 |
Victorian Poetry | 54 |
Copyright | |
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