Critical Essays on Robert BrowningMary Ellis Gibson G.K. Hall, 1992 - 275 pagina's |
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Pagina 3
... readers of Browning , at least at the postsecondary level , are predominantly female — the most useful and pressing critical ques- tions necessarily change . So do the possibilities of reading . Recent changes in reading and publishing ...
... readers of Browning , at least at the postsecondary level , are predominantly female — the most useful and pressing critical ques- tions necessarily change . So do the possibilities of reading . Recent changes in reading and publishing ...
Pagina 70
... reader— one of Fish's communities , if you will . This reader is not in fact the diverse real readers of the day , who often seem merely the sum of bad , because too immediate and involved , too interested , readings . For instance , the ...
... reader— one of Fish's communities , if you will . This reader is not in fact the diverse real readers of the day , who often seem merely the sum of bad , because too immediate and involved , too interested , readings . For instance , the ...
Pagina 76
... reading of many readers reporting many experiences . The art of reading is to be compared not to a dead camera that takes one perspective on a theatrical scene but rather to an entire caravan- full of television monitors with a variety ...
... reading of many readers reporting many experiences . The art of reading is to be compared not to a dead camera that takes one perspective on a theatrical scene but rather to an entire caravan- full of television monitors with a variety ...
Inhoudsopgave
Dramatic Monologue and the Overhearing of Lyric | 21 |
Dramatic I Poems and Their Theoretical Implications | 37 |
Victorian Poetry | 54 |
Copyright | |
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action Andromeda appears artist attempt audience authority become beginning Book Browning's called character Cleon communication complex consciousness context course critics culture death describes desire discourse discussion dramatic monologue dream early effect Elizabeth Barrett Browning English essay experience expression fact feeling female figure finally force human imagination important individual interest interpretation Italy John kind language later letter lines literary living look Lover lyric meaning mind moral myth nature never Notes object once origins person play poem poet poet's poetic poetry political Porphyria's possibility present Press primitive projection question reader reading relation remains represented response Review Robert Browning Romantic scene seems sense Sordello soul speak speaker speech stanza story Strafford structure Studies suggests thing thought turn understanding University Victorian voice whole woman writing York