Critical Essays on Robert BrowningMary Ellis Gibson G.K. Hall, 1992 - 275 pagina's |
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Pagina 61
... present as the speaker places feelings from the immediate past ( " As I have felt " ) against the potential feelings of the beloved in an ongoing present ( " feel to - day " ) , and the intermingling of literal and figurative ( they ...
... present as the speaker places feelings from the immediate past ( " As I have felt " ) against the potential feelings of the beloved in an ongoing present ( " feel to - day " ) , and the intermingling of literal and figurative ( they ...
Pagina 80
... present that is felt to be insubstantial , " a tremulous wisp " forever fading , " dwindling down " to nearly nothing under scrutiny , needs , and must project , a past and future that give meaning to the " perpetual weaving and ...
... present that is felt to be insubstantial , " a tremulous wisp " forever fading , " dwindling down " to nearly nothing under scrutiny , needs , and must project , a past and future that give meaning to the " perpetual weaving and ...
Pagina 226
... present . In his discussion of Browning's career to 1841 , Lawrence Poston argues that " Through poetic engagement with the middle ground of history Browning's early career represents . . . an attempt to construct a bridge between ...
... present . In his discussion of Browning's career to 1841 , Lawrence Poston argues that " Through poetic engagement with the middle ground of history Browning's early career represents . . . an attempt to construct a bridge between ...
Inhoudsopgave
Dramatic Monologue and the Overhearing of Lyric | 21 |
Dramatic I Poems and Their Theoretical Implications | 37 |
Victorian Poetry | 54 |
Copyright | |
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