Critical Essays on Robert BrowningMary Ellis Gibson G.K. Hall, 1992 - 275 pagina's |
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Pagina 79
... person - as - process that I discussed in the last section may be read as a single discursive dialectical movement . In the dramatic monologue , the person - as - thing appears as an abstraction , as someone's thought about himself or ...
... person - as - process that I discussed in the last section may be read as a single discursive dialectical movement . In the dramatic monologue , the person - as - thing appears as an abstraction , as someone's thought about himself or ...
Pagina 82
... person from their mouths . I do not think that Browning is being inconsistent . The division between the voice of the poet and the voice of the imaginary speaker is based on a reader's willingness to construe them both equally as " persons ...
... person from their mouths . I do not think that Browning is being inconsistent . The division between the voice of the poet and the voice of the imaginary speaker is based on a reader's willingness to construe them both equally as " persons ...
Pagina 217
... person ! and when duly dragged through mire , Having lied , filched , played fool , proved coward , -Oh never fear ! ' T was consecrated sport , Exact tradition . . . ) ( 5396-403 ) Browning's poem , then , contrasts three ways of using ...
... person ! and when duly dragged through mire , Having lied , filched , played fool , proved coward , -Oh never fear ! ' T was consecrated sport , Exact tradition . . . ) ( 5396-403 ) Browning's poem , then , contrasts three ways of using ...
Inhoudsopgave
Dramatic Monologue and the Overhearing of Lyric | 21 |
Dramatic I Poems and Their Theoretical Implications | 37 |
Victorian Poetry | 54 |
Copyright | |
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