Critical Essays on Robert BrowningMary Ellis Gibson G.K. Hall, 1992 - 275 pagina's |
Vanuit het boek
Resultaten 1-3 van 19
Pagina 163
... living auditors , Browning taunts his audience further by confounding the living and the dead : My audience ! and they sit , each ghostly man Striving to look as living as he can , Brother by breathing brother ; thou art set , Clear ...
... living auditors , Browning taunts his audience further by confounding the living and the dead : My audience ! and they sit , each ghostly man Striving to look as living as he can , Brother by breathing brother ; thou art set , Clear ...
Pagina 236
... living canvas of Van - dyke ? " ( Macaulay , 1 : 120 ) . Interestingly , it is Forster , in his review of Browning's play in The Examiner , who directly quotes Macaulay : " The most striking thing of the evening was Mr. Macready's first ...
... living canvas of Van - dyke ? " ( Macaulay , 1 : 120 ) . Interestingly , it is Forster , in his review of Browning's play in The Examiner , who directly quotes Macaulay : " The most striking thing of the evening was Mr. Macready's first ...
Pagina 264
... living Italians to speak for themselves again within his own gigantic , revitalizing , blank - verse framework . If The Ring and the Book was composed consecutively , as he later claimed , he had just finished resurrecting Giacinto de ...
... living Italians to speak for themselves again within his own gigantic , revitalizing , blank - verse framework . If The Ring and the Book was composed consecutively , as he later claimed , he had just finished resurrecting Giacinto de ...
Inhoudsopgave
Dramatic Monologue and the Overhearing of Lyric | 21 |
Dramatic I Poems and Their Theoretical Implications | 37 |
Victorian Poetry | 54 |
Copyright | |
10 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
action Andromeda appears artist attempt audience authority become beginning Book Browning's called character Cleon communication complex consciousness context course critics culture death describes desire discourse discussion dramatic monologue dream early effect Elizabeth Barrett Browning English essay experience expression fact feeling female figure finally force human imagination important individual interest interpretation Italy John kind language later letter lines literary living look Lover lyric meaning mind moral myth nature never Notes object once origins person play poem poet poet's poetic poetry political Porphyria's possibility present Press primitive projection question reader reading relation remains represented response Review Robert Browning Romantic scene seems sense Sordello soul speak speaker speech stanza story Strafford structure Studies suggests thing thought turn understanding University Victorian voice whole woman writing York