Critical Essays on Robert BrowningMary Ellis Gibson G.K. Hall, 1992 - 275 pagina's |
Vanuit het boek
Resultaten 1-3 van 46
Pagina 6
... course takes this as no real diminution of the poet's powers - on the contrary . Another essayist , E. P. Hood praised Browning in The Eclectic and Congregational Review for not succumbing to the " cant of Church - of - Englandism " and ...
... course takes this as no real diminution of the poet's powers - on the contrary . Another essayist , E. P. Hood praised Browning in The Eclectic and Congregational Review for not succumbing to the " cant of Church - of - Englandism " and ...
Pagina 66
... course , in either case , read as obliteration ; it is read as a transformation , as the loss of an identity which is then reconstituted through a different identification — the transformation of self through sexual union or through ...
... course , in either case , read as obliteration ; it is read as a transformation , as the loss of an identity which is then reconstituted through a different identification — the transformation of self through sexual union or through ...
Pagina 230
... course , one thinks of Marx's fa- mous tragedy / farce dictum when one discovers in the same month the thun- dering claim that " the Conservative meetings which . . . it has been our grateful duty to record and observe upon , constitute ...
... course , one thinks of Marx's fa- mous tragedy / farce dictum when one discovers in the same month the thun- dering claim that " the Conservative meetings which . . . it has been our grateful duty to record and observe upon , constitute ...
Inhoudsopgave
Dramatic Monologue and the Overhearing of Lyric | 21 |
Dramatic I Poems and Their Theoretical Implications | 37 |
Victorian Poetry | 54 |
Copyright | |
10 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
action Andromeda appears artist attempt audience authority become beginning Book Browning's called character Cleon communication complex consciousness context course critics culture death describes desire discourse discussion dramatic monologue dream early effect Elizabeth Barrett Browning English essay experience expression fact feeling female figure finally force human imagination important individual interest interpretation Italy John kind language later letter lines literary living look Lover lyric meaning mind moral myth nature never Notes object once origins person play poem poet poet's poetic poetry political Porphyria's possibility present Press primitive projection question reader reading relation remains represented response Review Robert Browning Romantic scene seems sense Sordello soul speak speaker speech stanza story Strafford structure Studies suggests thing thought turn understanding University Victorian voice whole woman writing York