Critical Essays on Robert BrowningMary Ellis Gibson G.K. Hall, 1992 - 275 pagina's |
Vanuit het boek
Resultaten 1-3 van 22
Pagina 14
... complex reasons of literary , political , and religious affiliation , never self - consciously set out , as Arnold did , to cast himself in a representative role . To trace out the complex relationships of Browning's poetry to its ...
... complex reasons of literary , political , and religious affiliation , never self - consciously set out , as Arnold did , to cast himself in a representative role . To trace out the complex relationships of Browning's poetry to its ...
Pagina 15
... complex than Tennyson's medievalizing strategies in The Princess and The Idylls . This remove , if we can be so lucky , will require a cultural criticism as canny as Browning's own ability to elude our grasp . What shapes might further ...
... complex than Tennyson's medievalizing strategies in The Princess and The Idylls . This remove , if we can be so lucky , will require a cultural criticism as canny as Browning's own ability to elude our grasp . What shapes might further ...
Pagina 97
... complex one . Literature itself had become , as Raymond Williams tells us , " a special- ized and selective category , " consciously distinguished both from other spe- cialized discourses like the scientific and from general or ...
... complex one . Literature itself had become , as Raymond Williams tells us , " a special- ized and selective category , " consciously distinguished both from other spe- cialized discourses like the scientific and from general or ...
Inhoudsopgave
Dramatic Monologue and the Overhearing of Lyric | 21 |
Dramatic I Poems and Their Theoretical Implications | 37 |
Victorian Poetry | 54 |
Copyright | |
10 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
action Andromeda appears artist attempt audience authority become beginning Book Browning's called character Cleon communication complex consciousness context course critics culture death describes desire discourse discussion dramatic monologue dream early effect Elizabeth Barrett Browning English essay experience expression fact feeling female figure finally force human imagination important individual interest interpretation Italy John kind language later letter lines literary living look Lover lyric meaning mind moral myth nature never Notes object once origins person play poem poet poet's poetic poetry political Porphyria's possibility present Press primitive projection question reader reading relation remains represented response Review Robert Browning Romantic scene seems sense Sordello soul speak speaker speech stanza story Strafford structure Studies suggests thing thought turn understanding University Victorian voice whole woman writing York