Critical Essays on Robert BrowningMary Ellis Gibson G.K. Hall, 1992 - 275 pagina's |
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Pagina 70
... called a contemporary horizon ) . They invented a thing called a text — an illusion mightily revived by Yale deconstruction . Meaning was in the page . somehow , not in the two places where it usually was located : that is , on one side ...
... called a contemporary horizon ) . They invented a thing called a text — an illusion mightily revived by Yale deconstruction . Meaning was in the page . somehow , not in the two places where it usually was located : that is , on one side ...
Pagina 82
... called ' Dramatic ' because the story is told by some actor in it , not by the poet himself . " Modern critics have generally followed this lead . B. W. Fuson defined the dramatic mono- logue in 1948 as " an isolated poem intended to ...
... called ' Dramatic ' because the story is told by some actor in it , not by the poet himself . " Modern critics have generally followed this lead . B. W. Fuson defined the dramatic mono- logue in 1948 as " an isolated poem intended to ...
Pagina 190
... called a morbidly diseased consciousness . How , after all , could the author of Strafford be certain that his surmises about another's consciousness were any more legitimate than the surmises of Porphyria's lover ? By the time Browning ...
... called a morbidly diseased consciousness . How , after all , could the author of Strafford be certain that his surmises about another's consciousness were any more legitimate than the surmises of Porphyria's lover ? By the time Browning ...
Inhoudsopgave
Dramatic Monologue and the Overhearing of Lyric | 21 |
Dramatic I Poems and Their Theoretical Implications | 37 |
Victorian Poetry | 54 |
Copyright | |
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action Andromeda appears artist attempt audience authority become beginning Book Browning's called character Cleon communication complex consciousness context course critics culture death describes desire discourse discussion dramatic monologue dream early effect Elizabeth Barrett Browning English essay experience expression fact feeling female figure finally force human imagination important individual interest interpretation Italy John kind language later letter lines literary living look Lover lyric meaning mind moral myth nature never Notes object once origins person play poem poet poet's poetic poetry political Porphyria's possibility present Press primitive projection question reader reading relation remains represented response Review Robert Browning Romantic scene seems sense Sordello soul speak speaker speech stanza story Strafford structure Studies suggests thing thought turn understanding University Victorian voice whole woman writing York