Critical Essays on Robert BrowningMary Ellis Gibson G.K. Hall, 1992 - 275 pagina's |
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Pagina 45
... action , as perhaps of that action itself , does not go so implicitly deep as our sense , for instance , of the Duke's innocent last Duchess , or Andrea's Lucrezia , or even of the Bishop's so briefly represented mistress of the ...
... action , as perhaps of that action itself , does not go so implicitly deep as our sense , for instance , of the Duke's innocent last Duchess , or Andrea's Lucrezia , or even of the Bishop's so briefly represented mistress of the ...
Pagina 59
... action : " We must be several in order to write , and even to ' perceive . ' The simple structure of maintenance and manuscription , like every intuition of an origin , is a myth " ( p . 226 ) . 3. The subject as system . It follows ...
... action : " We must be several in order to write , and even to ' perceive . ' The simple structure of maintenance and manuscription , like every intuition of an origin , is a myth " ( p . 226 ) . 3. The subject as system . It follows ...
Pagina 190
... action - but Pippa is , in these scenes , less a character than a disembodied lyric voice , so that in this strange medley of genres dramatic action seems to be dependent on the provocation of lyric . There is no central dramatic action ...
... action - but Pippa is , in these scenes , less a character than a disembodied lyric voice , so that in this strange medley of genres dramatic action seems to be dependent on the provocation of lyric . There is no central dramatic action ...
Inhoudsopgave
Dramatic Monologue and the Overhearing of Lyric | 21 |
Dramatic I Poems and Their Theoretical Implications | 37 |
Victorian Poetry | 54 |
Copyright | |
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aesthetic Andromeda argues Arnold artist audience authority become Book Browning's poem Browning's poetry character Christian Cleon consciousness contemporary context critics culture Dante Dante's desire discourse dramatic lyric dramatic monologue dream Duke Elizabeth Barrett Elizabeth Barrett Browning emblem Empedocles English essay experience female genre God's Harold Bloom human imagination interpretation irony Italian Italy Johannes Agricola John Keats Langbaum language Last Duchess letter lines literary meaning mind modern moral myth nature Paracelsus Pauline Pippa Passes play poem's poet poet's poetic political Porphyria's Lover present primitive puppet question reader reading represented Review Ring Robert Browning Romantic Ryals scene seems sense Shelley song Sordello soul Spasmodic speak speaker speech spiritual stanza story Strafford structure suggests T. S. Eliot Tennyson textual thought tion Toccata of Galuppi's Univ University Press verse Victorian Victorian Poetry voice woman words Wordsworth writing York