Course of Lectures on Dramatic Art and LiteratureAMS Press, 1973 - 535 pagina's |
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Pagina 61
... player , the excellence of which has become pro- verbial , because it appears from a passage in Cicero that he ... players , even the French , who of all follow the strictest training , would consider a most intolerable oppression ...
... player , the excellence of which has become pro- verbial , because it appears from a passage in Cicero that he ... players , even the French , who of all follow the strictest training , would consider a most intolerable oppression ...
Pagina 450
... players . The theatre still made small claims to literature , and it thus escaped the pedantry of scho- lastic learning . There were as yet no periodical writings which , as the instrument of cabal , could mislead opinion . jealousies ...
... players . The theatre still made small claims to literature , and it thus escaped the pedantry of scho- lastic learning . There were as yet no periodical writings which , as the instrument of cabal , could mislead opinion . jealousies ...
Pagina 526
... players might not be disturbed in their darling but stupid affectation of nature , by observa- tion of the quantity . How many " periwig - pated fellows " ( as Shakspeare called such people ) , must we suffer , who imagine they are ...
... players might not be disturbed in their darling but stupid affectation of nature , by observa- tion of the quantity . How many " periwig - pated fellows " ( as Shakspeare called such people ) , must we suffer , who imagine they are ...
Inhoudsopgave
Preface of the Translator | 1 |
LECTURE I | 17 |
LECTURE II | 30 |
Copyright | |
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Course of Lectures on Dramatic Art and Literature, Volume 10 August Wilhelm von Schlegel Fragmentweergave - 1965 |
Veelvoorkomende woorden en zinsdelen
action actors admiration altogether ancient appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra composition considered Corneille critics death dignity display dramatic art dramatic poet effect Electra elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling foreign French Tragedy frequently give Grecian Greek tragedies Greeks hand heroes heroic honour human idea imitation intrigue invention Italian Julius Cæsar labours language literature manner masks means Menander merely Metastasio mind modern Molière moral nature never noble object observed Old Comedy opera opinion Orestes original passion peculiar persons Philoctetes picture pieces Plautus play players poet poetical poetry possess produce Racine racter representation resemblance respect Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage style talent taste theatre theatrical thing tion tone tragedians tragic true truth unity verse versification Voltaire whole