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Pagina 27
On the stage , the poetry of course lost above half of its effect : but this was compensated to the audience by every advantage of scenery and decoration . By the help of dance and song , ' of mask and antique pageantry ' , this most ...
On the stage , the poetry of course lost above half of its effect : but this was compensated to the audience by every advantage of scenery and decoration . By the help of dance and song , ' of mask and antique pageantry ' , this most ...
Pagina 29
( 290–301 ) To those of our readers who may not be acquainted with Comus , these exquisite passages will be quite new , though they may have lately heard them on the stage . There was an evident want of adaptation to theatrical ...
( 290–301 ) To those of our readers who may not be acquainted with Comus , these exquisite passages will be quite new , though they may have lately heard them on the stage . There was an evident want of adaptation to theatrical ...
Pagina 31
Both of these kinds of exhibition , with a remote relationship perhaps to the Greek stage , and a nearer one to the festive compositions of the Provençals , had their birth in Italy , – the soil in which every species of modern poetry ...
Both of these kinds of exhibition , with a remote relationship perhaps to the Greek stage , and a nearer one to the festive compositions of the Provençals , had their birth in Italy , – the soil in which every species of modern poetry ...
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Inhoudsopgave
Acknowledgements | 7 |
Introduction | 13 |
Early Criticism | 21 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
accept action Aeschylus answer appears argument beauty becomes begin Brother called cause characters chastity Chorus Christian classical close comes Comus concern course critics Dalila darkness death divine doctrine doubt drama effect English evil experience expressed fact faith feel final follow give grace Greek Greek tragedy hand hath heaven hope human idea ideal imagination interpretation Italy kind Lady least less light lines live Manoa masque meaning Milton mind moral move nature never once Paradise Lost passion perhaps person play poem poet poetry present question reader reading reason reference relation religious response Samson Agonistes scene seems seen sense song soul SOURCE speech Spenser Spirit stage strength suggestion sure symbol temperance things thou thought tragedy true turn understanding virginity virtue whole