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Pagina 60
( Comus , 93-144 ) It is the more necessary to be clear about Milton's meaning in this speech because in the aesthetic and in the intellectual pattern it is evidently intended to stand in a relation of contrast with the Epilogue .
( Comus , 93-144 ) It is the more necessary to be clear about Milton's meaning in this speech because in the aesthetic and in the intellectual pattern it is evidently intended to stand in a relation of contrast with the Epilogue .
Pagina 103
I feel a different sort of failure of rhythm in the speeches of Comus : much of his part seems too shallow ... His solution , so far as he does solve the difficulty , is to allow his god to revel , to begin each speech strongly , often ...
I feel a different sort of failure of rhythm in the speeches of Comus : much of his part seems too shallow ... His solution , so far as he does solve the difficulty , is to allow his god to revel , to begin each speech strongly , often ...
Pagina 120
Those who complain that she has the worst of the poetry do not sufficiently consider this speech . Even on the naïve assumption that the more sensuous the verse the more worthwhile it is , this speech is among the finest in the poem .
Those who complain that she has the worst of the poetry do not sufficiently consider this speech . Even on the naïve assumption that the more sensuous the verse the more worthwhile it is , this speech is among the finest in the poem .
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Inhoudsopgave
Acknowledgements | 7 |
Introduction | 13 |
Early Criticism | 21 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
accept action Aeschylus answer appears argument beauty becomes begin Brother called cause characters chastity Chorus Christian classical close comes Comus concern course critics Dalila darkness death divine doctrine doubt drama effect English evil experience expressed fact faith feel final follow give grace Greek Greek tragedy hand hath heaven hope human idea ideal imagination interpretation Italy kind Lady least less light lines live Manoa masque meaning Milton mind moral move nature never once Paradise Lost passion perhaps person play poem poet poetry present question reader reading reason reference relation religious response Samson Agonistes scene seems seen sense song soul SOURCE speech Spenser Spirit stage strength suggestion sure symbol temperance things thou thought tragedy true turn understanding virginity virtue whole