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Pagina 61
of the God of love himself with Psyche , the human soul , and if Milton's classic taste prevents him from concluding with an allusion to the Lamb and his eternal bride it is because there is no need . This interpretation has been very ...
of the God of love himself with Psyche , the human soul , and if Milton's classic taste prevents him from concluding with an allusion to the Lamb and his eternal bride it is because there is no need . This interpretation has been very ...
Pagina 65
There is no allusion , as in Spenser , to marriage , but to a Platonic doctrine of intellectual or spiritual love , the love ' whose charming cup is only virtue ' , and whose ' chiefest office begins and ends in the soul , producing ...
There is no allusion , as in Spenser , to marriage , but to a Platonic doctrine of intellectual or spiritual love , the love ' whose charming cup is only virtue ' , and whose ' chiefest office begins and ends in the soul , producing ...
Pagina 80
quite clear by the following development in Platonic and Christian terms of the imagery of light in the soul ( the angels , the ' beam ' cast on the outward shape by the ' oft converse with heavenly habitants ' ; the ' soul essence and ...
quite clear by the following development in Platonic and Christian terms of the imagery of light in the soul ( the angels , the ' beam ' cast on the outward shape by the ' oft converse with heavenly habitants ' ; the ' soul essence and ...
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Inhoudsopgave
Acknowledgements | 7 |
Introduction | 13 |
Early Criticism | 21 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
accept action Aeschylus answer appears argument beauty becomes begin Brother called cause characters chastity Chorus Christian classical close comes Comus concern course critics Dalila darkness death divine doctrine doubt drama effect English evil experience expressed fact faith feel final follow give grace Greek Greek tragedy hand hath heaven hope human idea ideal imagination interpretation Italy kind Lady least less light lines live Manoa masque meaning Milton mind moral move nature never once Paradise Lost passion perhaps person play poem poet poetry present question reader reading reason reference relation religious response Samson Agonistes scene seems seen sense song soul SOURCE speech Spenser Spirit stage strength suggestion sure symbol temperance things thou thought tragedy true turn understanding virginity virtue whole