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Pagina 58
( Paradise Regained , iv , 288–92 ) In . Comus , on the contrary , beauty and the appreciation of beauty are everywhere : even the wizard claims kindred with the Attendant Spirit and the other good characters in his response to it .
( Paradise Regained , iv , 288–92 ) In . Comus , on the contrary , beauty and the appreciation of beauty are everywhere : even the wizard claims kindred with the Attendant Spirit and the other good characters in his response to it .
Pagina 96
It seems to me that the response called for is not ironic rejection but tutelary approval blended with the sad amusement of experience watching innocence – the response of Thyrsis to the Elder Brother's fighting words about Comus : Alas ...
It seems to me that the response called for is not ironic rejection but tutelary approval blended with the sad amusement of experience watching innocence – the response of Thyrsis to the Elder Brother's fighting words about Comus : Alas ...
Pagina 218
Of course we are less interested in Dalila's explanations for their own sake than for the sake of the response they draw from Samson and for the contribution they make ( if any ) to the revival of his spirits ; still , one can't help ...
Of course we are less interested in Dalila's explanations for their own sake than for the sake of the response they draw from Samson and for the contribution they make ( if any ) to the revival of his spirits ; still , one can't help ...
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Inhoudsopgave
Acknowledgements | 7 |
Introduction | 13 |
Early Criticism | 21 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
accept action Aeschylus answer appears argument beauty becomes begin Brother called cause characters chastity Chorus Christian classical close comes Comus concern course critics Dalila darkness death divine doctrine doubt drama effect English evil experience expressed fact faith feel final follow give grace Greek Greek tragedy hand hath heaven hope human idea ideal imagination interpretation Italy kind Lady least less light lines live Manoa masque meaning Milton mind moral move nature never once Paradise Lost passion perhaps person play poem poet poetry present question reader reading reason reference relation religious response Samson Agonistes scene seems seen sense song soul SOURCE speech Spenser Spirit stage strength suggestion sure symbol temperance things thou thought tragedy true turn understanding virginity virtue whole