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Pagina 42
Often one must look outside the poem for what may be called the intellectual frame of reference , common to the poet and his contemporary readers , but lost to a later age : the thing taken for granted in the thought content as the ...
Often one must look outside the poem for what may be called the intellectual frame of reference , common to the poet and his contemporary readers , but lost to a later age : the thing taken for granted in the thought content as the ...
Pagina 43
Within this frame of reference there is room for every degree of difference in attitude and emphasis : it is a frame of reference , not a body of doctrine , and is tacitly assumed not by the religious only , but by the secular and even ...
Within this frame of reference there is room for every degree of difference in attitude and emphasis : it is a frame of reference , not a body of doctrine , and is tacitly assumed not by the religious only , but by the secular and even ...
Pagina 45
When these facts are brought into relation with the intellectual frame of reference , we observe that temperance and continence are virtues on the natural level ; that chastity , the central virtue of the poem , moves in an area common ...
When these facts are brought into relation with the intellectual frame of reference , we observe that temperance and continence are virtues on the natural level ; that chastity , the central virtue of the poem , moves in an area common ...
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Inhoudsopgave
Acknowledgements | 7 |
Introduction | 13 |
Early Criticism | 21 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
accept action Aeschylus answer appears argument beauty becomes begin Brother called cause characters chastity Chorus Christian classical close comes Comus concern course critics Dalila darkness death divine doctrine doubt drama effect English evil experience expressed fact faith feel final follow give grace Greek Greek tragedy hand hath heaven hope human idea ideal imagination interpretation Italy kind Lady least less light lines live Manoa masque meaning Milton mind moral move nature never once Paradise Lost passion perhaps person play poem poet poetry present question reader reading reason reference relation religious response Samson Agonistes scene seems seen sense song soul SOURCE speech Spenser Spirit stage strength suggestion sure symbol temperance things thou thought tragedy true turn understanding virginity virtue whole