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Pagina 211
a Here the reader is offered the relief of an ' easy ' syntax , but as an explanation of the ' beresting this is no ... do provide a resting place for the reader's mind ( many readers rush immediately to them , only partly conscious of ...
a Here the reader is offered the relief of an ' easy ' syntax , but as an explanation of the ' beresting this is no ... do provide a resting place for the reader's mind ( many readers rush immediately to them , only partly conscious of ...
Pagina 235
The reader is first aware of them only after Samson has uttered his liberating ' Yet ' . ( Again I would call attention to the acceleration of pace felt here in contrast to the drawn out dialectic of previous scenes . ) ...
The reader is first aware of them only after Samson has uttered his liberating ' Yet ' . ( Again I would call attention to the acceleration of pace felt here in contrast to the drawn out dialectic of previous scenes . ) ...
Pagina 243
Every reader has that choice . IV Still another question remains . If it is impossible in reading Samson Agonistes to draw lines of cause and effect or to say anything definite about what happens , why do so many readers , including ...
Every reader has that choice . IV Still another question remains . If it is impossible in reading Samson Agonistes to draw lines of cause and effect or to say anything definite about what happens , why do so many readers , including ...
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Inhoudsopgave
Acknowledgements | 7 |
Introduction | 13 |
Early Criticism | 21 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
accept action Aeschylus answer appears argument beauty becomes begin Brother called cause characters chastity Chorus Christian classical close comes Comus concern course critics Dalila darkness death divine doctrine doubt drama effect English evil experience expressed fact faith feel final follow give grace Greek Greek tragedy hand hath heaven hope human idea ideal imagination interpretation Italy kind Lady least less light lines live Manoa masque meaning Milton mind moral move nature never once Paradise Lost passion perhaps person play poem poet poetry present question reader reading reason reference relation religious response Samson Agonistes scene seems seen sense song soul SOURCE speech Spenser Spirit stage strength suggestion sure symbol temperance things thou thought tragedy true turn understanding virginity virtue whole