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Pagina 145
In the essay which concludes this volume , Stanley Fish discovers that the play in fact works on two levels . For the reader , the ways of God remain inexplicable , but this does not mean that He has no plan , and indeed one is always ...
In the essay which concludes this volume , Stanley Fish discovers that the play in fact works on two levels . For the reader , the ways of God remain inexplicable , but this does not mean that He has no plan , and indeed one is always ...
Pagina 209
Had Samson remained as he is in the opening lines of the play – self - pitying and despairing - would he have pulled down the temple ? The answer to that question is ' yes ' , and if the Samson of Judges is substituted for Milton's ...
Had Samson remained as he is in the opening lines of the play – self - pitying and despairing - would he have pulled down the temple ? The answer to that question is ' yes ' , and if the Samson of Judges is substituted for Milton's ...
Pagina 243
comfortable way out of the play for anyone who chooses to avail himself of it . Every reader has that choice . IV Still another question remains . If it is impossible in reading Samson Agonistes to draw lines of cause and effect or to ...
comfortable way out of the play for anyone who chooses to avail himself of it . Every reader has that choice . IV Still another question remains . If it is impossible in reading Samson Agonistes to draw lines of cause and effect or to ...
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Inhoudsopgave
Acknowledgements | 7 |
Introduction | 13 |
Early Criticism | 21 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
accept action Aeschylus answer appears argument beauty becomes begin Brother called cause characters chastity Chorus Christian classical close comes Comus concern course critics Dalila darkness death divine doctrine doubt drama effect English evil experience expressed fact faith feel final follow give grace Greek Greek tragedy hand hath heaven hope human idea ideal imagination interpretation Italy kind Lady least less light lines live Manoa masque meaning Milton mind moral move nature never once Paradise Lost passion perhaps person play poem poet poetry present question reader reading reason reference relation religious response Samson Agonistes scene seems seen sense song soul SOURCE speech Spenser Spirit stage strength suggestion sure symbol temperance things thou thought tragedy true turn understanding virginity virtue whole