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Pagina 66
To hear the music of the spheres indeed is given only to the pure in heart . To ascend above it is to enter the Christian heaven and ' hear the unexpressive nuptial song'.29 And the final note of all is unmistakably Christian .
To hear the music of the spheres indeed is given only to the pure in heart . To ascend above it is to enter the Christian heaven and ' hear the unexpressive nuptial song'.29 And the final note of all is unmistakably Christian .
Pagina 109
Arcades ' combines the two familiar commonplaces that the heavens are filled with music , but that only the virtuous can hear it : Such sweet compulsion doth in music lie , To lull the daughters of Necessity , And keep unsteady Nature ...
Arcades ' combines the two familiar commonplaces that the heavens are filled with music , but that only the virtuous can hear it : Such sweet compulsion doth in music lie , To lull the daughters of Necessity , And keep unsteady Nature ...
Pagina 119
The Lady , in contrast , is always associated with music and concord , and her singing ravishes all who hear it with delight . This is one of the several ways in which Milton involves the claim of Comus to ' imitate the starry choir'in ...
The Lady , in contrast , is always associated with music and concord , and her singing ravishes all who hear it with delight . This is one of the several ways in which Milton involves the claim of Comus to ' imitate the starry choir'in ...
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Inhoudsopgave
Acknowledgements | 7 |
Introduction | 13 |
Early Criticism | 21 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
accept action Aeschylus answer appears argument beauty becomes begin Brother called cause characters chastity Chorus Christian classical close comes Comus concern course critics Dalila darkness death divine doctrine doubt drama effect English evil experience expressed fact faith feel final follow give grace Greek Greek tragedy hand hath heaven hope human idea ideal imagination interpretation Italy kind Lady least less light lines live Manoa masque meaning Milton mind moral move nature never once Paradise Lost passion perhaps person play poem poet poetry present question reader reading reason reference relation religious response Samson Agonistes scene seems seen sense song soul SOURCE speech Spenser Spirit stage strength suggestion sure symbol temperance things thou thought tragedy true turn understanding virginity virtue whole