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Pagina 43
... religious writer , who may deny the reality of what I shall describe as ' the order of grace ' but rarely has the hardihood to ignore it as a concept . The frame of reference may be formulated with sufficient precision in this way .
... religious writer , who may deny the reality of what I shall describe as ' the order of grace ' but rarely has the hardihood to ignore it as a concept . The frame of reference may be formulated with sufficient precision in this way .
Pagina 44
The ascetic and the rigorist ( for in this they agree , though not in the action that it entails ) insist on the divergence , to depress nature and exalt grace ; the naturalist , to exalt nature and depress grace , finding the demands ...
The ascetic and the rigorist ( for in this they agree , though not in the action that it entails ) insist on the divergence , to depress nature and exalt grace ; the naturalist , to exalt nature and depress grace , finding the demands ...
Pagina 45
Of this new plane ( 4 ) The doctrine of virginity becomes in the poem the Grace illustration and symbol ( but not the complete synonym ) . We are concerned here with the arguments of Comus , and not with the relation of that argument to ...
Of this new plane ( 4 ) The doctrine of virginity becomes in the poem the Grace illustration and symbol ( but not the complete synonym ) . We are concerned here with the arguments of Comus , and not with the relation of that argument to ...
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Inhoudsopgave
Acknowledgements | 7 |
Introduction | 13 |
Early Criticism | 21 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
accept action Aeschylus answer appears argument beauty becomes begin Brother called cause characters chastity Chorus Christian classical close comes Comus concern course critics Dalila darkness death divine doctrine doubt drama effect English evil experience expressed fact faith feel final follow give grace Greek Greek tragedy hand hath heaven hope human idea ideal imagination interpretation Italy kind Lady least less light lines live Manoa masque meaning Milton mind moral move nature never once Paradise Lost passion perhaps person play poem poet poetry present question reader reading reason reference relation religious response Samson Agonistes scene seems seen sense song soul SOURCE speech Spenser Spirit stage strength suggestion sure symbol temperance things thou thought tragedy true turn understanding virginity virtue whole