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Pagina 57
One must , of course , be on one's guard against too easily supposing that what Christ rejects , he necessarily rejects as in itself evil , and not as evil merely by occasion because unfitting to present circumstances and because ...
One must , of course , be on one's guard against too easily supposing that what Christ rejects , he necessarily rejects as in itself evil , and not as evil merely by occasion because unfitting to present circumstances and because ...
Pagina 59
But in general Milton is quite ready to admit that the beauty which is to the good a good is the same beauty which the evil pervert to evil ends . This indeed is characteristic of his whole attitude to the natural order .
But in general Milton is quite ready to admit that the beauty which is to the good a good is the same beauty which the evil pervert to evil ends . This indeed is characteristic of his whole attitude to the natural order .
Pagina 111
In his representation , which is also the traditional one , evil is not unsubtle but unrealistic ; not unintelligent , but wrong . To anyone equating ' truth ' with the intellect and intellectual prowess with the result of an I.Q. test ...
In his representation , which is also the traditional one , evil is not unsubtle but unrealistic ; not unintelligent , but wrong . To anyone equating ' truth ' with the intellect and intellectual prowess with the result of an I.Q. test ...
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Inhoudsopgave
Acknowledgements | 7 |
Introduction | 13 |
Early Criticism | 21 |
Copyright | |
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accept action Aeschylus answer appears argument beauty becomes begin Brother called cause characters chastity Chorus Christian classical close comes Comus concern course critics Dalila darkness death divine doctrine doubt drama effect English evil experience expressed fact faith feel final follow give grace Greek Greek tragedy hand hath heaven hope human idea ideal imagination interpretation Italy kind Lady least less light lines live Manoa masque meaning Milton mind moral move nature never once Paradise Lost passion perhaps person play poem poet poetry present question reader reading reason reference relation religious response Samson Agonistes scene seems seen sense song soul SOURCE speech Spenser Spirit stage strength suggestion sure symbol temperance things thou thought tragedy true turn understanding virginity virtue whole