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Pagina 90
It is often assumed that , in making a drama centering on the Lady , Milton leaves the masque form behind . But this drama develops by the masque's kind of unfolding of the situation in which the drama takes place .
It is often assumed that , in making a drama centering on the Lady , Milton leaves the masque form behind . But this drama develops by the masque's kind of unfolding of the situation in which the drama takes place .
Pagina 139
But English drama had different and popular origins , growing out of folk and religious festivals into the miracle and morality plays , and blossoming in Elizabethan times into the unsurpassed achievements of Marlowe and Shakespeare .
But English drama had different and popular origins , growing out of folk and religious festivals into the miracle and morality plays , and blossoming in Elizabethan times into the unsurpassed achievements of Marlowe and Shakespeare .
Pagina 175
SAMSON AGONISTES AND THE HELLENIC DRAMA ( c . 1908 ) I Samson Agonistes may fairly be called classical both in language and in structure . The language has throughout elevation and temperate dignity , resembling that of Paradise Lost ...
SAMSON AGONISTES AND THE HELLENIC DRAMA ( c . 1908 ) I Samson Agonistes may fairly be called classical both in language and in structure . The language has throughout elevation and temperate dignity , resembling that of Paradise Lost ...
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Inhoudsopgave
Acknowledgements | 7 |
Introduction | 13 |
Early Criticism | 21 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
accept action Aeschylus answer appears argument beauty becomes begin Brother called cause characters chastity Chorus Christian classical close comes Comus concern course critics Dalila darkness death divine doctrine doubt drama effect English evil experience expressed fact faith feel final follow give grace Greek Greek tragedy hand hath heaven hope human idea ideal imagination interpretation Italy kind Lady least less light lines live Manoa masque meaning Milton mind moral move nature never once Paradise Lost passion perhaps person play poem poet poetry present question reader reading reason reference relation religious response Samson Agonistes scene seems seen sense song soul SOURCE speech Spenser Spirit stage strength suggestion sure symbol temperance things thou thought tragedy true turn understanding virginity virtue whole