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Pagina 139
II Samson Agonistes , as George Steiner points out in The Death of Tragedy , is the only true classical tragedy ever written in England , though of course Sidney in The Defence of Poesy had restated , or perhaps rewritten , Aristotle's ...
II Samson Agonistes , as George Steiner points out in The Death of Tragedy , is the only true classical tragedy ever written in England , though of course Sidney in The Defence of Poesy had restated , or perhaps rewritten , Aristotle's ...
Pagina 140
The classical form was essentially a puritan form . It was apparently tailor - made for a man of such stern beliefs as Milton . But again one remarks the clash between Milton the philosopher and Milton the artist , and throughout Samson ...
The classical form was essentially a puritan form . It was apparently tailor - made for a man of such stern beliefs as Milton . But again one remarks the clash between Milton the philosopher and Milton the artist , and throughout Samson ...
Pagina 150
There is in both these French tragedians a strong music which we shall not hear again , even in the high moments of the classical style . ... Four years after Sidney's death , the Countess of Pembroke translated ( Garnier's ] Marc ...
There is in both these French tragedians a strong music which we shall not hear again , even in the high moments of the classical style . ... Four years after Sidney's death , the Countess of Pembroke translated ( Garnier's ] Marc ...
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Inhoudsopgave
Acknowledgements | 7 |
Introduction | 13 |
Early Criticism | 21 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
accept action Aeschylus answer appears argument beauty becomes begin Brother called cause characters chastity Chorus Christian classical close comes Comus concern course critics Dalila darkness death divine doctrine doubt drama effect English evil experience expressed fact faith feel final follow give grace Greek Greek tragedy hand hath heaven hope human idea ideal imagination interpretation Italy kind Lady least less light lines live Manoa masque meaning Milton mind moral move nature never once Paradise Lost passion perhaps person play poem poet poetry present question reader reading reason reference relation religious response Samson Agonistes scene seems seen sense song soul SOURCE speech Spenser Spirit stage strength suggestion sure symbol temperance things thou thought tragedy true turn understanding virginity virtue whole