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Pagina 107
He bases this assertion on the belief that to accept the Lady at face value is to accept Chastity as a mode of life more excellent than Marriage ; and he argues from passages inserted in the 1637 version of the Epilogue , as well as ...
He bases this assertion on the belief that to accept the Lady at face value is to accept Chastity as a mode of life more excellent than Marriage ; and he argues from passages inserted in the 1637 version of the Epilogue , as well as ...
Pagina 144
As Parker has it : we accept the ' All is best of the Chorus , whatever our personal philosophy may be , as Milton's explanation of the story which his drama unfolds . Artistically it is convincing ; it gives unity and significance to ...
As Parker has it : we accept the ' All is best of the Chorus , whatever our personal philosophy may be , as Milton's explanation of the story which his drama unfolds . Artistically it is convincing ; it gives unity and significance to ...
Pagina 237
I have attempted one by one the lords Either at home , or through the high street passing , With supplication prone and father's tears To accept of ransom for my son their prisoner , Some much averse I found and wondrous harsh ...
I have attempted one by one the lords Either at home , or through the high street passing , With supplication prone and father's tears To accept of ransom for my son their prisoner , Some much averse I found and wondrous harsh ...
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Inhoudsopgave
Acknowledgements | 7 |
Introduction | 13 |
Early Criticism | 21 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
accept action Aeschylus answer appears argument beauty becomes begin Brother called cause characters chastity Chorus Christian classical close comes Comus concern course critics Dalila darkness death divine doctrine doubt drama effect English evil experience expressed fact faith feel final follow give grace Greek Greek tragedy hand hath heaven hope human idea ideal imagination interpretation Italy kind Lady least less light lines live Manoa masque meaning Milton mind moral move nature never once Paradise Lost passion perhaps person play poem poet poetry present question reader reading reason reference relation religious response Samson Agonistes scene seems seen sense song soul SOURCE speech Spenser Spirit stage strength suggestion sure symbol temperance things thou thought tragedy true turn understanding virginity virtue whole