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Pagina 31
Spectacles of this nature were clearly the origin of the Trionfi or Triumphs of the Italian poets ; and under ... and with more or less assumption of a dramatic air , soon spread all over Italy , now contracting themselves into domestic ...
Spectacles of this nature were clearly the origin of the Trionfi or Triumphs of the Italian poets ; and under ... and with more or less assumption of a dramatic air , soon spread all over Italy , now contracting themselves into domestic ...
Pagina 33
... rhyming tragedies , and the conceits of the corrupted Italian school ( for when writers talk of the conceits of the Italians , they are speaking of what the Italians themselves condemn ) , were praised and practised by the ...
... rhyming tragedies , and the conceits of the corrupted Italian school ( for when writers talk of the conceits of the Italians , they are speaking of what the Italians themselves condemn ) , were praised and practised by the ...
Pagina 156
In the modelling therefore of this poem , with good reason , the ancients and Italians are rather followed , as of much more authority and fame . The measure of verse used in the chorus is of all sorts , called by the Greeks ...
In the modelling therefore of this poem , with good reason , the ancients and Italians are rather followed , as of much more authority and fame . The measure of verse used in the chorus is of all sorts , called by the Greeks ...
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Inhoudsopgave
Acknowledgements | 7 |
Introduction | 13 |
Early Criticism | 21 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
accept action Aeschylus answer appears argument beauty becomes begin Brother called cause characters chastity Chorus Christian classical close comes Comus concern course critics Dalila darkness death divine doctrine doubt drama effect English evil experience expressed fact faith feel final follow give grace Greek Greek tragedy hand hath heaven hope human idea ideal imagination interpretation Italy kind Lady least less light lines live Manoa masque meaning Milton mind moral move nature never once Paradise Lost passion perhaps person play poem poet poetry present question reader reading reason reference relation religious response Samson Agonistes scene seems seen sense song soul SOURCE speech Spenser Spirit stage strength suggestion sure symbol temperance things thou thought tragedy true turn understanding virginity virtue whole