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depending not on rules, but on experience and comparison, judgment is always, in some degree, sub. ject to affection. Very near to admiration is the wish to admire.

Every man willingly gives value to the praise which he receives, and considers the sentence passed in his favour as the sentence of discernment. We admire in a friend that understanding which selected us for confidence; we admire more, in a patron, that judgment which, instead of scattering bounty indiscriminately, directed it to us; and, if the patron be an author, those performances which gratitude forbids us to blame, affection will easily dispose us to exalt.

To these prejudices, hardly culpable, interest adds a power always operating, though not always, because not willingly, perceived. The modesty of praise wears gradually away; and perhaps the pride of patronage may be in time so increased, that modest praise will no longer please.

Many a blandishment was practised upon Halifax, which he would never have known, had he no other attractions than those of his poetry, of which a short time has withered the beauties. It would pow be esteemed no honour, by a contributor to the monthly bundles of verses, to be told, that, in strains either familiar or solemn, he sings like Montague.

PARNELL,

Life of Dr. PARNELL is a task which I should very willingly decline, since it has been lately written by Goldsmith, a man of such variety

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of powers, and such felicity of performance, that he always seemed to do best that which he was doing; a man who had the art of being minute without tediousness, and general without confusion; whose language was copious without exuberance; exact without constraint, and easy without weakness,

What such an author has told, who would tell again? I have made an abstract from his larger narrative; and have this gratification from my attempt, that it gives me an opportunity of paying due tribute to the memory of Goldsmith.

Το γαρ γέρας έστι θανόντων.

THOMAS PARNELL was the son of a commonwealthsman of the same name, who, at the Restora. tion, left Congleton, in Cheshire, where the family had been established for several centuries, and settling in Ireland, purchased an estate, which, with his lands in Cheshire, descended to the poet, who was born in Dublin, in 1679; and, after the usual education at a grammar-school, was, at the age of thirteen, admitted into the College, where, in 1700, he became master of arts; and was the same year ordained a deacon, though under the canonical age, by a dispensation from the Bishop of Derry.

About three years afterwards he was made a priest; and in 1705, Dr. Ashe, the bishop of Clogher, conferred upon him the archdeaconry of Clogher. About the same year he married Mrs. Anne Min. chin, an amiable lady, by whom he had two sons, who died young, and a daughter who long survived him.

At the ejection of the whigs, in the end of Queen Anne's reign, Parnell was persuaded to change his party, not without much censure from those whom he forsook, and was received by the new ministry as a valuable reinforcement. When the Earl of Oxford was told that Dr. Parnell waited among the

crowd in the outer room, he went, by the persuasion of Swift, with his treasurer's staff in his hand, to inquire for him, and to bid him welcome; and, as may be inferred from Pope's dedication, admitted him as a favourite companion to his convivial hours; but, as it seems often to have happened in those times to the favourites of the great, without attention to his fortune, which, however, was in no great need of improvement,

Parnell, who did not want ambition or vanity, was desirous to make himself conspicuous, and to shew how worthy he was of high preferment. As he thought himself qualified to become a popular preacher, he displayed his elocutior: with great suc. cess in the pulpits of London; but the Queen's death putting an end to his expectations, abated his diligence; and Pope represents him as falling from that time into intemperance of wine. That in his latter life he was too much a lover of the bottle, is not denied; but I have heard it imputed to a cause more likely to obtain forgiveness from mankindthe untimely death of a darling son; or, as others tell, the loss of his wife, who died (1712) in the midst of his expectations.

He was now to derive every future addition to his preferments from his personal interest with his private friends, and he was not long unregarded. He was warmly recommended by Swift to Arch. bishop King, who gave him a prebend in 1713; and in May, 1716, presented him to the vicarage of Finglass, in the diocese of Dublin, worth four hundred pounds a year. Such notice, from such a man, inclines me to believe, that the vice of which he has been accused was not gross, or not notorious.

But his prosperity did not last long. His end, whatever was its cause, was now approaching. He enjoyed his preferment little more than a year; for in July, 1717, in his thirty-eighth year, he died at Chester, on his way to Ireland.

He seems to have been one of those poets who

take delight in writing. He contributed to the pa. pers of that time, and probably published more than he owned. He left many compositions behind him, of which Pope selected those which he thought best, and dedicated them to the Earl of Oxford. Of these Goldsmith has given an opinion, and his cri. ticism it is seldom safe to contradict. He bestows just praise upon The Rise of Woman,” “ The Fairy Tale,” and “The Pervigilium Veneris ;” but has very properly remarked, that in “ The Battle of Mice and Frogs,” the Greek nar es have not in English their original effect.

He tells us, that“ The Book-Worm" is borrowed from Beza; but he should have added, with modern applications: and, when he discovers that

Gay Bacchus" is translated from Augurellus, he ought to have remarked that the latter part is purely Parnell's. Another poem,

“ When Spring comes on," is, he says, taken from the French. I would add, that the description of barrenness, in his verses to Pope, was borrowed from Secundus : but, lately searching for the passage, which I had formerly read, I could not find it. The “ Nightpiece on Death” is indirectly preferred by Goldsmith to Gray's “ Church-Yard ;" but, in my opi. nion, Gray has the advantage of dignity, variety, and originality of sentiment. He observes, that the story of the “ Hermit” is in More's “ Dialogues" and Howell's “ Letters,” and supposes it to have been originally Arabian.

Goldsmith has not taken any notice of the “ Elegy to the old Beauty,” which is perhaps the meanest; nor of the "Allegory on Man,” the happiest of Par. nell's performances ; the hint of the “ Hymn to Contentment" I suspect to have been borrowed from Cleiveland.

The general character of Parnell, is not great ex. tent of comprehension, or fertility of mind. Of the little that appears still less is his own. His praise must be derived from the easy sweetness of his dic.

tion: in his verses there is more happiness than pains; he is sprightly without effort, and always delights, though he never ravishes; every thing is proper, yet every thing seems casual. If there is some appearance of elaboration in the “ Hermit," the narrative, as it is less * airy, is less pleasing. Of his other compositions it is impossible to say whether they are the productions of nature, so excellent as not to want the help of art, or of art so refined as to resemble nature.

This criticism relates only to the pieces published by Pope. Of the large appendages, which I find in the last edition, I can only say, that I know not whence they came, nor have ever inquired whither they are going. They stand upon the faith of the compilers.

GARTH.

SAMUEL

AMUEL GARTH was of a good family in York.

shire, and from some school in his own country became a student at Peter-house, in Cambridge, where he resided till he became doctor of physic on July 7th, 1691. He was examined before the College, at London, on March the 12th, 1691-2, and admitted fellow June 26th, 1693. He was soon so much distinguished by his conversation and accomplishinents, as to obtain very extensive practice; and, if a pamphlet of those times may be credited, had the favour and confidence of one party, as Radcliffe had of the other,

* Dr. Warton asks,“ less than what?"--E,

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