Spem in illo repositam

Nunquam fefellerit,
Haud raro superaverit.
Post longum honorum Curfum

Brevi Temporis Spatio confectum,
Cum Naturæ parum, Famæ satis vixerat,
Animam ad altiora aspirantem placide efflavit.

On the left hand.

Ex Equestri Familia Stepaeiorum,
De Pendegrast, in Comitatu

Pembrochiensi oriundus,
Westmonasterii natus est, A, D, 1663.

Electus in Collegium
Sancti Petri Westmonast. A. 1676.

Sancti Trinitatis Cantab. 1682.
Consiliariorum quibus Commercii

Cura commissa est 1697.
Chelseiæ mortuus, &, comitante

Magnâ Procerum
Frequentia, huc elatus, 1707.

It is reported that the juvenile compositions of Stepney made grey authors blush. I know not whether his

poems will appear such wonders to the present age. One cannot always easily find the reason for which the world has sometimes con. spired to squander praise. It is not very unlikely that he wrote very early as well as he ever wrote; and the performances of youth have many favourers, because the authors yet lay no claim to public honours, and are therefore not considered as rivals by the distributors of fame.

He apparently professed himself a poet, and added his name to those of the other wits in the version of Juvenal; but he is a very licentious translator, and does not recompense his neglect of the author by beauties of his own. In his original poems, now and then, a happy line may perhaps be found, and

now and then a short composition may give pleasure. But there is, in the whole, little either of the grace of wit, or the vigour of nature.


ber, 1676, at Bampton, in Oxfordshire ; of which place his father, Dr. Stephen Philips, archdeacon of Salop, was minister. The first part of his education was domestic ; after which he was sent to Winchester, where, as we are told by Dr. Sewel, his biographer, he was soon distinguished by the superiority of his exercises; and, what is less easily to be credited, so much endeared himself to his schoolfellows, by his civility and good-nature, that they, without murmur or ill-will, saw him in. dulged by the master with particular imniunities. It is related, that when he was at school, he seldom mipgled in play with the other boys, but retired to his chamber; where his sovereign pleasure was to sit hour after hour, while his hair was combed by somebody, whose service he found means to pro


* Isaac Vossius relates, that he also delighted in having his hair combed when he could have it done by barbers, or other persons skilled in the rules of prosody. Of the passage that contains this ridiculous fancy, the following is a translation : -“ Many people take delight in the rubbing of their limbs, and the combing of their hair; but these exercises would delight much more, if the

At school he became acquainted with the poets, ancient and modern, and fixed his attention parti. cularly on Milton.

In 1694, he entered himself at Christ-church, a college at that time in the highest reputation, by the transmission of Busby's scholars to the care first of Fell, and afterwards of Aldrich. Here he was distinguished as a genius eminent among the eminent, and for friendship particularly intimate with Mr. Smith, the author of..“ Phædra and Hippolytus.” The profession which he intended to follow was that of physic; and he took much delight in natural history, of which botany was his favourite part.

His reputation was confined to his friends and to the University ; till about 1703, he extended it to a wider circle by the “ Splendid Shilling,” which struck the public attention with a mode of writing new and unexpected.

This performance raised him so high, that, when Europe resounded with the victory of Blenheim, he was, probably with an occult opposition to Addi. son, employed to deliver the acclamation of the Tories. It is said that he' would willingly have declined the task, but that his friends urged it upon him. It appears that he wrote this poem at the house of Mr. St. John.

“ Blenheim” was published in 1705. The next

servants at the baths, and of the barbers, were so skilful in this art, that they could express any mea. sures with their fingers. I remember that more than once I have fallen into the hands of men of this sort, who could imitate any measure of songs in combing the hair, so as sometimes to express very intelligibly iambics, trochees, dactyls, &c. from whence there arose to me no small delight.” See his “ Treatise de Poematum cantu et viribus Rythmi.” Oxon. 1673. p. 62.-H,

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year produced his great work, the poem upon “ Cider," in two books; which was received with loud praises, and continued long to be read, as an imitation of Virgil's “ Georgic," which needed not shun the presence of the original.

He then grew probably more confident of his own abilities, and began to meditate a poem on the “ Last Day;" a subject on which no mind can hope to equal expectation.

This work he did not live to finish; his diseases, a slow consumption and an asthma, put a stop to his studies, and on Feb. 15, 1708, at the beginning of his thirty-third year, put an end to his life.

He was buried in the cathedral of Hereford; and Sir Simon Harcourt, afterwards lord-chancellor, gave him a monument in Westminster Abbey. The inscription at Westminster was written, as I have heard, by Dr. Atterbury, though commonly given to Dr. Freind.

His Epitaph at Hereford:


Obiit 15 die Feb, Anno.

Dom. 1708.
Ætat. suæ 32.

Ossa si requiras, hanc Urnam inspice :
Si Ingenium nescias, ipsius Opera consule:

Si Tumulum desideras,
Templum adi Westmonasteriense:
Qualis quantusque Vir fuecit,
Dicat elegans illa præclara,
Quæ cenotaphium ibi decorat,

Quàm interim erga Cognatos pius & officiosus,

Testetur A MARIA PHILIPS Matre ipsius pientissima, Dilecti Filii Memoriæ non sine Lacrymis dicatum.


His Epitaph at Westminster.

Herefordiæ conduntur Ossa,
Hoc in Delubro statuitur Imago,
Britanniam omnem pervagatur Fama,

Qui Viris bonis doctisque juxta charus,

Immortale suum Ingenium,
Eruditione multiplici excultum,

Miro animi candore,
Eximiâ morum simplicitate,

Litterarum Amæniorum sitim,
Quam Wintoniæ Puer sentire cæperat,
Inter Ædis Christi Alumnos jugiter explevit,

In illo Musarum Domicilio Præclaris Æmulorum studiis excitatus, Optimia scribendi Magistris semper intentus,

Carmina sermone Patrio composuit A Græcis Latinisque fontibus feliciter deducta, Atticis Romanisque auribus omnino digna,

Versuum quippe Harmoniam

Rythmo didicerat. Antiquo illo, libero, multiformi Ad res ipsas apto prorsus, et attemperato, Non numeris in eundem ferè orbem redeuntibus, Non Clausularum similiter cadentium sono

Metiri : Uni in hoc laudis genere Miltono secundus,

Primoque pene par.
Res seu Tenues, seu Grandes, seu Mediocres

Ornandas sumserat,
Nusquam, non quod decuit,

Et videt, & assecutus est,
Egregius, quocunque Stylum verteret,
Fandi author, & Modorum artifex.

Fas sit Huic,

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