The Art of Elocution: From the Simple Articulation of the Elemental Sounds of Language, Up to the Highest Tone of Expression in Speech, Attainable by the Human VoiceSampson, Low, 1846 - 383 pagina's |
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Pagina 12
... called upon occasionally in public , even though we may not belong to any of the learned pro- fessions , to express our opinions , to state our views , to offer our advice , or to justify some course we may have pursued in relation to ...
... called upon occasionally in public , even though we may not belong to any of the learned pro- fessions , to express our opinions , to state our views , to offer our advice , or to justify some course we may have pursued in relation to ...
Pagina 17
... called upon to mark to the eye the correct reading of the above sentence , could imme- diately do it , ( certainly , any pupil of mine could , ) so as to preclude the commission of so gross an error - equal INTRODUCTION . 17.
... called upon to mark to the eye the correct reading of the above sentence , could imme- diately do it , ( certainly , any pupil of mine could , ) so as to preclude the commission of so gross an error - equal INTRODUCTION . 17.
Pagina 30
... language . It is true , indeed , that a con- sonant ( so called from its supposed dependence for its sound on an attendant vowel , ) cannot be individually named without the help of a vowel : that is 30 ART OF ELOCUTION .
... language . It is true , indeed , that a con- sonant ( so called from its supposed dependence for its sound on an attendant vowel , ) cannot be individually named without the help of a vowel : that is 30 ART OF ELOCUTION .
Pagina 35
... called diphthongal , whereas it is really a pure tonic element ; it is the sound of o in d - o . In articulation , a diphthong is the union of two tonics , in which the actual utterance of each takes place : the radical , or com- 4 4 ...
... called diphthongal , whereas it is really a pure tonic element ; it is the sound of o in d - o . In articulation , a diphthong is the union of two tonics , in which the actual utterance of each takes place : the radical , or com- 4 4 ...
Pagina 48
... called vurtue , nor third thurd , & c . [ See Table No. 4. ] 7 7 o . - The full and round , open sound of o in the SYLLABLES o - ow― ( unaccented . ) EXAMPLES . Articulate- opinion , potato , fellow ,. innovate , • • not put - ta - ta ...
... called vurtue , nor third thurd , & c . [ See Table No. 4. ] 7 7 o . - The full and round , open sound of o in the SYLLABLES o - ow― ( unaccented . ) EXAMPLES . Articulate- opinion , potato , fellow ,. innovate , • • not put - ta - ta ...
Overige edities - Alles bekijken
The Art of Elocution: From the Simple Articulation of the Elemental Sounds ... George Vandenhoff Volledige weergave - 1846 |
The Art of Elocution: From the Simple Articulation of the Elemental Sounds ... George Vandenhoff Volledige weergave - 1846 |
The Art of Elocution: From the Simple Articulation of the Elemental Sounds ... George Vanderhoff Geen voorbeeld beschikbaar - 2015 |
Veelvoorkomende woorden en zinsdelen
accelerando accented ADRASTUS antithesis arms articulation beauty blood breath Brutus Cæsar Cassius character Christian close common compound inflections dark death delivery diphthongal distinct doth ducats earth elementary sounds emphasis of force emphasis of sense EXAMPLES exercise expression falling inflection feeling gesture give Godfrey of Bouillon grace hand Harfleur hath heard heart heaven Helon high pitch honor hope human voice Intonation king language legato light live Lochinvar Lord marked MEDON melody ment mercy middle pause middle pitch mind nature Netherby never noble o'er orator passage passion perfect practice presto pronominal phrase prose prosodial reading rhythm rising inflection Roche Rome rules sentence Shylock simple solemn soul speak speaker speech spirit style swelling syllables system of Elocution thee thought tion tone tonic sound utterance Vandenhoff's Venice verse voice vowel weep word
Populaire passages
Pagina 324 - I cannot tell what you and other men Think of this life, but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself.
Pagina 300 - He who hath bent him o'er the dead Ere the first day of death is fled, The first dark day of nothingness, The last of danger and distress...
Pagina 325 - Why should that name be sounded more than yours ? Write them together, yours is as fair a name; Sound them, it doth become the mouth as well; Weigh them, it is as heavy; conjure with 'em, "Brutus" will start a spirit as soon as "Caesar.
Pagina 291 - mong Graemes of the Netherby clan ; Forsters, Fenwicks, and Musgraves, they rode and they ran : There was racing and chasing on Cannobie Lee, But the lost bride of Netherby ne'er did they see. So daring in love, and so dauntless in war, Have ye e'er heard of gallant like young Lochinvar?
Pagina 339 - O, now you weep ; and, I perceive, you feel The dint of pity : these are gracious drops ; Kind souls ! What, weep you, when you but behold Our Caesar's vesture wounded ? Look you here. Here is himself, marr'd, as you see.
Pagina 326 - Signior Antonio, many a time and oft In the Rialto you have rated me About my monies, and my usances : Still have I borne it with a patient shrug ; For sufferance is the badge of all our tribe...
Pagina 175 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct, As water is in water.
Pagina 335 - O Cassius, you are yoked with a lamb That carries anger, as the flint bears fire; Who, much enforced, shows a hasty spark, And straight is cold again.
Pagina 353 - With a bare bodkin ? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of ? Thus conscience does make cowards of us all...
Pagina 352 - tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them ? To die : to sleep ; No more; and by a sleep to say we end The heart-ache, and the thousand natural shocks That flesh is heir to ?—'tis a consummation Devoutly to be wish'd. To die, to sleep...