Selected Essays of William Hazlitt, 1778-1830Nonesuch Press, 1948 - 807 pagina's |
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Pagina 474
... STYLE ( WRITTEN AFTER JULY , 1821 ) On IT is not easy to write a familiar style . Many people mistake a familiar for a vulgar style , and suppose that to write without affectation is to write at random . the contrary , there is nothing ...
... STYLE ( WRITTEN AFTER JULY , 1821 ) On IT is not easy to write a familiar style . Many people mistake a familiar for a vulgar style , and suppose that to write without affectation is to write at random . the contrary , there is nothing ...
Pagina 483
... style halts , totters , is loose , disjointed , and without expressive pauses or rapid movements . The measured cadence and regular sing - song of rhyme or blank verse have destroyed , as it were , their natural ear for the mere ...
... style halts , totters , is loose , disjointed , and without expressive pauses or rapid movements . The measured cadence and regular sing - song of rhyme or blank verse have destroyed , as it were , their natural ear for the mere ...
Pagina 499
... style of the Author of Waverley ( if he comes fairly into this discussion ) as mere style , is villainous . It is pretty plain he is a poet ; for the sound of names runs mechanically in his ears , and he rings the changes un ...
... style of the Author of Waverley ( if he comes fairly into this discussion ) as mere style , is villainous . It is pretty plain he is a poet ; for the sound of names runs mechanically in his ears , and he rings the changes un ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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abstract admiration appearance beauty better Burke caput mortuum character Coleridge colour common conversation Correggio death delight effect English Essay expression face fancy favour favourite feeling French French Revolution friends genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Jeremy Taylor Job Orton Lamb laugh learned less live look Lord Lord Byron Lord Keppel manner means mind Molière nature Nether Stowey never object opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle prose reason Rembrandt round seems sense sentiment Shakespear shew sort sound speak spirit style supposed talk taste things thought tion Titian Tom Jones truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write