Selected Essays of William Hazlitt, 1778-1830Nonesuch Press, 1948 - 807 pagina's |
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Pagina 125
... picture . The miniature is inferior to the oil - picture only because it is less finished , because it cannot follow nature into so many individual and exact particulars . The proof of which is , that the copy of a good portrait will ...
... picture . The miniature is inferior to the oil - picture only because it is less finished , because it cannot follow nature into so many individual and exact particulars . The proof of which is , that the copy of a good portrait will ...
Pagina 624
... picture ; but the act of painting itself , of laying on the colours in the proper place , and proper quantity , was a much harder exercise than this alternate receding from and returning to the picture . This last would be rather a ...
... picture ; but the act of painting itself , of laying on the colours in the proper place , and proper quantity , was a much harder exercise than this alternate receding from and returning to the picture . This last would be rather a ...
Pagina 677
... picture ( an exquisite one , indeed ) , but Raphael's looks like the divine reality itself ! -No . 234 , Cocles defending the Bridge , is by Le Brun . We do not like this picture , nor 271 , The Massacre of the Innocents , by the same ...
... picture ( an exquisite one , indeed ) , but Raphael's looks like the divine reality itself ! -No . 234 , Cocles defending the Bridge , is by Le Brun . We do not like this picture , nor 271 , The Massacre of the Innocents , by the same ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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Veelvoorkomende woorden en zinsdelen
abstract admiration appearance beauty better Burke caput mortuum character Coleridge colour common conversation Correggio death delight effect English Essay expression face fancy favour favourite feeling French French Revolution friends genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Jeremy Taylor Job Orton Lamb laugh learned less live look Lord Lord Byron Lord Keppel manner means mind Molière nature Nether Stowey never object opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle prose reason Rembrandt round seems sense sentiment Shakespear shew sort sound speak spirit style supposed talk taste things thought tion Titian Tom Jones truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write