Selected Essays of William Hazlitt, 1778-1830Nonesuch Press, 1948 - 807 pagina's |
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Pagina 389
... object or feeling . The poetical impression of any object is that uneasy , exquisite sense of beauty or power that cannot be con- tained within itself ; that is impatient of all limit ; that ( as flame bends to flame ) strives to link ...
... object or feeling . The poetical impression of any object is that uneasy , exquisite sense of beauty or power that cannot be con- tained within itself ; that is impatient of all limit ; that ( as flame bends to flame ) strives to link ...
Pagina 390
... object under the influence of passion makes on the mind . Let an object , for instance , be presented to the senses in a state of agitation or fear - and the imagination will distort or magnify the object , and convert it into the ...
... object under the influence of passion makes on the mind . Let an object , for instance , be presented to the senses in a state of agitation or fear - and the imagination will distort or magnify the object , and convert it into the ...
Pagina 660
... object in nature - the neck of a lovely and inno- cent female - which is written very much as if he had himself formerly painted this object , and sacrificed at this formidable shrine . There is no doubt that the percep- tion of beauty ...
... object in nature - the neck of a lovely and inno- cent female - which is written very much as if he had himself formerly painted this object , and sacrificed at this formidable shrine . There is no doubt that the percep- tion of beauty ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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Veelvoorkomende woorden en zinsdelen
abstract admiration appearance beauty better Burke caput mortuum character Coleridge colour common conversation Correggio death delight effect English Essay expression face fancy favour favourite feeling French French Revolution friends genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Jeremy Taylor Job Orton Lamb laugh learned less live look Lord Lord Byron Lord Keppel manner means mind Molière nature Nether Stowey never object opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle prose reason Rembrandt round seems sense sentiment Shakespear shew sort sound speak spirit style supposed talk taste things thought tion Titian Tom Jones truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write