Selected Essays of William Hazlitt, 1778-1830Nonesuch Press, 1948 - 807 pagina's |
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Pagina 122
... hear what I have to say , for I speak in earnest , and with a composed spirit : if I shall happen to address you in my dying moments , I humbly entreat you not to hear me , nor receive me into Heaven , for I am determined to spend all ...
... hear what I have to say , for I speak in earnest , and with a composed spirit : if I shall happen to address you in my dying moments , I humbly entreat you not to hear me , nor receive me into Heaven , for I am determined to spend all ...
Pagina 133
... hear it ! -Hence , also , we see what is the charm of the shepherd's pastoral reed ; and why we hear him , as it were , piping to his flock , even in a picture . Our ears are fancy - stung ! I remember once strolling along the margin of ...
... hear it ! -Hence , also , we see what is the charm of the shepherd's pastoral reed ; and why we hear him , as it were , piping to his flock , even in a picture . Our ears are fancy - stung ! I remember once strolling along the margin of ...
Pagina 351
... hear the door ! Then if the postman passes , and we do not hear the expected knock , what a pang is there ! It is like the silence of death - of hope ! We think he does it on purpose , and enjoys all the misery of our suspense . I have ...
... hear the door ! Then if the postman passes , and we do not hear the expected knock , what a pang is there ! It is like the silence of death - of hope ! We think he does it on purpose , and enjoys all the misery of our suspense . I have ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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abstract admiration appearance beauty better Burke caput mortuum character Coleridge colour common conversation Correggio death delight effect English Essay expression face fancy favour favourite feeling French French Revolution friends genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Jeremy Taylor Job Orton Lamb laugh learned less live look Lord Lord Byron Lord Keppel manner means mind Molière nature Nether Stowey never object opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle prose reason Rembrandt round seems sense sentiment Shakespear shew sort sound speak spirit style supposed talk taste things thought tion Titian Tom Jones truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write