Selected Essays of William Hazlitt, 1778-1830Nonesuch Press, 1948 - 807 pagina's |
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Pagina 291
... feeling thus obtained , forms the depth of sentiment . It is that that redeems poetry and romance from the charge of superficiality . The habitual impressions of things are , as to feeling , the most refined ones . The painter also in ...
... feeling thus obtained , forms the depth of sentiment . It is that that redeems poetry and romance from the charge of superficiality . The habitual impressions of things are , as to feeling , the most refined ones . The painter also in ...
Pagina 311
... FEELING OF IMMORTALITY IN YOUTH ( MONTHLY MAGAZINE , MARCH , 1827 ) NO young man believes he shall ever die . It was a saying of my brother's , and a fine one . There is a feeling of Eternity in youth which makes us amends for every ...
... FEELING OF IMMORTALITY IN YOUTH ( MONTHLY MAGAZINE , MARCH , 1827 ) NO young man believes he shall ever die . It was a saying of my brother's , and a fine one . There is a feeling of Eternity in youth which makes us amends for every ...
Pagina 401
... feeling with which they are conveyed to others . The jerks , the breaks , the inequalities , and harshnesses of prose , are fatal to the flow of a poetical imagination , as a jolting road or a stumbling horse disturbs the reverie of an ...
... feeling with which they are conveyed to others . The jerks , the breaks , the inequalities , and harshnesses of prose , are fatal to the flow of a poetical imagination , as a jolting road or a stumbling horse disturbs the reverie of an ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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abstract admiration appearance beauty better Burke caput mortuum character Coleridge colour common conversation Correggio death delight effect English Essay expression face fancy favour favourite feeling French French Revolution friends genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Jeremy Taylor Job Orton Lamb laugh learned less live look Lord Lord Byron Lord Keppel manner means mind Molière nature Nether Stowey never object opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle prose reason Rembrandt round seems sense sentiment Shakespear shew sort sound speak spirit style supposed talk taste things thought tion Titian Tom Jones truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write