Primer of English Verse: Chiefly in Its Æsthetic & Organic CharacterGinn, 1892 - 232 pagina's |
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Pagina
... ' . 69-77 66 " 6 " The Two Voices ' . 78 , 79 66 66 66 ' The Palace of Art ' .. 79-84 66 " The Daisy ' and of ' To Rev. F. D. Mau- rice ' .. 84-86 THE SPENSERIAN STANZA .. The Pictorial Adaptedness of the Spenserian iii.
... ' . 69-77 66 " 6 " The Two Voices ' . 78 , 79 66 66 66 ' The Palace of Art ' .. 79-84 66 " The Daisy ' and of ' To Rev. F. D. Mau- rice ' .. 84-86 THE SPENSERIAN STANZA .. The Pictorial Adaptedness of the Spenserian iii.
Pagina
... Adaptedness of the Spenserian Stanza ..... THE SPENSERIAN STANZA AS EMPLOYED BY SUBSEQUENT PAGES 87-107 100-106 POETS . Thomson's ' Castle of Indolence ' ... Shelley's ' Laon and Cythna ' . Shelley's ' Adonais ' · Keats's Eve of St ...
... Adaptedness of the Spenserian Stanza ..... THE SPENSERIAN STANZA AS EMPLOYED BY SUBSEQUENT PAGES 87-107 100-106 POETS . Thomson's ' Castle of Indolence ' ... Shelley's ' Laon and Cythna ' . Shelley's ' Adonais ' · Keats's Eve of St ...
Pagina 69
... adaptedness of his rhythms , metres , stanzas , rhyme- schemes , melody , harmony , and whatever else is embraced under the comprehensive idea of poetic form , to the theme and the entire spiritual motive . His forms are instinct with ...
... adaptedness of his rhythms , metres , stanzas , rhyme- schemes , melody , harmony , and whatever else is embraced under the comprehensive idea of poetic form , to the theme and the entire spiritual motive . His forms are instinct with ...
Pagina 75
... adaptedness of the stanza ( due to the reduction of the terminal emphasis by means of the rhyme - scheme ) to an uninterrupted flow of thought and feeling . The poet , in his impatience for the arrival of the vessel which is bearing the ...
... adaptedness of the stanza ( due to the reduction of the terminal emphasis by means of the rhyme - scheme ) to an uninterrupted flow of thought and feeling . The poet , in his impatience for the arrival of the vessel which is bearing the ...
Pagina 76
... adaptedness of the stanza is afforded by the eighty- sixth section . The four stanzas of which it is com- posed constitute but one period , the sense being suspended till the close . The rhyme - emphasis is so distributed that any one ...
... adaptedness of the stanza is afforded by the eighty- sixth section . The four stanzas of which it is com- posed constitute but one period , the sense being suspended till the close . The rhyme - emphasis is so distributed that any one ...
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A Primer of English Verse: Chiefly in Its Aesthetic and Organic Character Hiram Corson Volledige weergave - 1892 |
Primer of English Verse: Chiefly in Its Æsthetic & Organic Character Hiram Corson Volledige weergave - 1892 |
Primer of English Verse: Chiefly in Its Æsthetic & Organic Character Hiram Corson Volledige weergave - 1892 |
Veelvoorkomende woorden en zinsdelen
ABBA abbaabba accented syllable adaptedness alexandrine alliteration artistic effect beautiful blank verse breath cadence Canto character Chaucer cloud consonants couplet dark death deep doth double rhyme earth emphasis employed English poetry examples expression eyes Faerie Queene feeling feet following stanzas foot fourth hand hath heard heart heaven hills ictus imparted Italian type Julius Cæsar last verse light syllable lines melody and harmony metre metrical Milton moan monosyllabic morn murmuring night ninth verse o'er octave organic ottava rima painter Paradise Lost passage pause pentameter poem poet poetic quatrains reader Revolt of Islam rhyme rhyme-emphasis rhyme-scheme round says sestet Shakespeare SIDNEY COLVIN silent sleep soul sound Spenser Spenserian stanza spirit stood stream sweet Tennyson tercet thee thing third verse thou thought thro thunder tone unaccented unities voice vowels wave wind wings words Wordsworth
Populaire passages
Pagina 177 - Most quiet need, by sun and candlelight. I love thee freely, as men strive for right. I love thee purely, as they turn from praise. I love thee with the passion put to use In my old griefs, and with my childhood's faith. I love thee with a love I seemed to lose With my lost saints.
Pagina 56 - I could weep My spirit from mine eyes ! There is my dagger, And here my naked breast; within, a heart Dearer than Plutus...
Pagina 214 - Sweet is the breath of morn, her rising sweet, With charm of earliest birds; pleasant the sun, When first on this delightful land he spreads His orient beams, on herb, tree, fruit, and flower, Glistering with dew; fragrant the fertile earth After soft showers; and sweet the coming on Of grateful evening
Pagina 30 - With purple grapes, green figs, and mulberries ; The honey bags steal from the humble-bees, And, for night-tapers, crop their waxen thighs, And light them at the fiery glowworm's eyes...
Pagina 173 - To fetters, and the damp vault's dayless gloom, Their country conquers with their martyrdom, And Freedom's fame finds wings on every wind.
Pagina 70 - There is sweet music here that softer falls Than petals from blown roses on the grass, Or night-dews on still waters between walls Of shadowy granite, in a gleaming pass ; Music that gentlier on the spirit lies Than tired eyelids upon tired eyes ; Music that brings sweet sleep down from the blissful skies.
Pagina 181 - And moan the expense of many a vanish'd sight. Then can I grieve at grievances foregone, And heavily from woe to woe tell o'er The sad account of fore-bemoaned moan, Which I new pay as if not paid before. But if the while I think on thee, dear friend, All losses are restored and sorrows end.
Pagina 24 - tis said, when all were fired, Filled with fury, rapt, inspired, From the supporting myrtles round They snatched her instruments of sound ; And, as they oft had heard apart Sweet lessons of her forceful art, Each (for madness ruled the hour) Would prove his own expressive power. First, Fear, his hand, its skill to try, Amid the chords bewildered laid, And back recoiled, he knew not why, E'en at the sound himself had made.
Pagina 180 - Shall I compare thee to a summer's day ?. Thou art more lovely and more temperate: Rough Winds do shake the darling buds of May, And summer's lease hath all too short a date...
Pagina 182 - Not marble, nor the gilded monuments Of princes, shall outlive this powerful rhyme ; But you shall shine more bright in these contents Than unswept stone, besmear'd with sluttish time. When wasteful war shall statues overturn, And broils root out the work of masonry, Nor Mars his sword nor war's quick fire shall burn The living record of your memory.