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"In Brazil, where I (the Viscount himself attests the relation) am resident, and through a considerable portion of which I have travelled, there are many species of birds, numerous in their kind, whom instinct impels to this emigra tion, which is not occasioned by the vicissitades of the seasons, since as far as the thirteenth degree of southern latitude, where there is a vast number of birds of passage, there is no difference of climate, although there is a great difference of season, as respects the production of fruits; and we see these birds, like the wandering hordes of wild Tartars, change their abode when the nutriment which is necessary to their existence becomes scarce. Even aquatic birds, which feed on fish, remove from one spot to another, whither the variation in the currents of the sea or of rivers transports, at different periods of the year, a greater number of fish.

"One fact which proves the power of instinct in brutes, and which I could not have credited, had I not myself observed it, is the following: The interior of the province Seará, is, like the other provinces of Brazil, stocked with farms for the breed of cows, sheep, and horses, and is situated on a soil subject to frequent drought. The herds, which during the summer are meagre, and illfed on grass scorched even to blackness by the intense heat of the sun, look forward to the rainy season, which regufarly commences in those quarters in December, or January, the dry and

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withered herbage becoming on a sudden green and flourishing. No sooner do the herds perceive from their exhausted region, the electric fluid dart in the opposite horizon, than, aware that the early showers descend amidst thunder and lightning, they put themselves in motion towards the part where they saw the atmosphere illumined. They traverse mountains, rivers, and deserts, in order to reach the succulent pasture, which they are certain of finding in that spot: at length they luxuriate on the first shoots of the rising grass, but as soon as they behold the lightning also sparkle in the horizon of their native plains, they return to drink in the streams, and to feed on the soil where they first drew the light of day; performing in this manner journeys of sixty, eighty, and often of an hundred leagues without guide or compass. How many marks of consciousness are manifest in these facts! The notion and idea of their own unpleasant situation; the hope of a better; the certainty of reaching the land of plenty, by following the gleam of lightning, the agent of rain; the change of place, with the view of deriving the benefit which the fertility of these plains offers; and the natural impression of fondness for their native spot, to which the herds yield, when they return to it in its renascent state, braving the claws of the ounce and the tiger, the precipices of the road, and the floods of the mighty rivers."

From the Literary Gazette, THE PERCY ANECDOTES.

NWO neat little volumes under this title, have appeared, and monthly numbers in succession are announced. As specimens of the work we select a few extracts.

GEORGE I.

During the siege of fort St. Phillip, a young lieutenant of marines was so unfortunate as to lose both his legs by a chain shot. In this miserable and helpless condition he was conveyed to England, and a memorial of his case presented to an honourable board; but nothing more than half-pay could be

obtained. Major Manson had the poor lieutenant conveyed to court, on a public day in his uniform; where posted in the anti-room, and supported by two of his brother officers, he cried out as the king was passing to the drawingroom, "Behold, great sire, a man who refuses to bend his knee to you; he has lost both in your service." The king struck no less by the singularity of his address, than by the melancholy object. before him, stopped and hastily demanded what had been done for him. "Half-pay," replied the lieutenant,

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"and please your majesty.' "Fye, fye on't," said the king, shaking his head; "but let me see you again next levee day." The lieutenant did not fail to appear, when he received from the immediate hands of the king a present of 500 pounds and an annuity of 200 a year for life.

ORIGIN OF THE SLAVE TRADE.

the doctor until he thought himself com-
pletely master of his errand, presented
him with a guinea as his fee.
"6 Put
up your money, poor fellow," cried the
doctor," thou hast need of all thy cash,
and all thy patience too, with such a
bundle of diseases tied to thy back."
The mimic returned to his employer,
who was in raptures at his success, until
he told him that he would sooner die,
than prostitute his talents to render
such genuine humanity food for the di-
version of the public.

SCIENTIFIC SAGACITY.

It will to some appear singular that the Slave Trade should have originated in an act of humanity; yet such was the fact, and it exhibits an instance of one of the best and most humane men being guilty of cruelty, when his mind was under the influence of prejudice. In the winter of 1790, as a number Barthelemi de las Casas, the bishop of of boys were skating on a lake in a reChiapa, in Peru, witnessing the dread- ed to break at a considerable distance mote part of Yorkshire, the ice happenful cruelty of the Spaniards to the In- from the shore,and one of them unfortudians, exerted all his eloquence to pre-nately fell in. No house was near, where vent it. He returned to Spain, and pleading the cause of the Indians before the Emperor Charles V. in person, suggested that their place as labourers might be supplied by the negroes from Africa, who were then considered as beings under the proscription of their Maker, and fit only for beasts of burden. The Emperor, overcome by his forcible representations, made several regulations in favour of the Indians; but it was not until the slavery of the African Negroes was substituted, that the American Indians were freed from the cruelty of the Spaniards.

THE MIMIC RECLAIMED.

A generous act, or an act of humanity, will sometimes operate most forcibly on the minds of those who might not be expected to feel its influence. A comedian, of the name of Griffin, celebrated for his talents as a mimic, was employed by a comic author to imitate the personal peculiarities of the celebrated Dr. Woodward, whom he intended to be introduced on the stage as Dr. Fossile, in Three Hours after Marriage. The mimic, dressed as a countryman, waited on the doctor with a long catalogue of complaints with which he said his wife was afflicted. The physician heard with amazement, diseases and pains of the most opposite nature, repeated and redoubled on the wretched patient. The actor having thus detained

ropes or the assistance of more aged were afraid to venture forward to save hands could be procured, and the boys their struggling companion, from a natural dread that where the ice had given way, it might give way again, and inthis alarming emergency, one of them, volve more of them in jeopardy. Io of more sagacity than the rest, sugges ted an expedient, which for its scientific conception, would have done honour to the boyhood of a Watt or an Archimedes. He might probably remember having seen, that while a plank placed perpendicularly on thin ice will burst through, the same plank, if laid horizontally along the ice, will be firmly borne, and afford even a safe footing; and applying with great ingenuity and presence of mind, the obvious principle of this difference to the danger before them, he proposed to his companions that they should lay themselves flat along the ice, in a line one behind another, and each push forward the boy before him, till they reached the hole where their playmate was still plunging, heroically volunteering to be himself the first in the chain. The plan was instantly adopted, and to the great joy of the boys, and their gallant leader, they succeeded in rescuing their companion from a watery grave, at a moment when, overcome by terror and exertion, he was unable to make another effort to save

himself. Reader excuse a tear of gratitude. The name of the boy saved was-REUBEN PERCY.

PATRICK HENRY.

When Patrick Henry, who gave the first impulse to the ball of the American Revolution, introduced his celebrated resolution on the stamp act into the House of Burgesses of Virginia (May 1765), he exclaimed, when descanting on the tyranny of the obnoxious act, "Cæsar bad his Brutus; Charles the First his Cromwell; and George the Third-"(" Treason," cried the speak er; "treason, treason," echoed from every part of the house. It was one of those trying moments which are decisive of character. Henry faultered not for an instant; but rising to a loftier attitude, and fixing on the speaker an eye flashing with fire, continued, "may profit by their example. If this be treason, make the most of it."

NAVAL ORATORY.

Admiral Blake, when a captain was sent with a small squadron to the West Indies on a secret expedition against the Spanish settlements. In an engagement one of his ships blew up, which damped the spirits of his crew; but Blake, who was not to be subdued by one unsuccessful occurrence, called outto his men, "Well, my lads, you have

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seen an English ship blown up; and now let's see what figure a Spanish one will make in the same situation." This well-timed harangue raised their spirits immediately, and in less than an hour he set his antagonist on fire. "There, my lads," said he, "I knew we should have our revenge soon."

SLEEPERS REproved.

A methodist preacher once observing that several of his congregation had fallen asleep, suddenly exclaimed with a loud voice," A fire! a fire!" " Where! where!" cried his auditors, whom he had roused from their slumbers. hell;" added the preacher: "for those who sleep under the ministry of the holy gospel."

"In

Another preacher, of a different persuasion, more remarkable for drowsy preachers, finding himself in the same unpleasant situation with his auditors, or,more literally speaking,dormitory.suddenly stopped in his discourse, and addressing himself in a whispering tone to a number of noisy children in the galle"y, "Silence, silence, children,” said be; "if you keep up such a noise, you will awake all the old folks below."

Upon the whole, these are entertaining books for the grown up lovers of anecdotes, and excellent presents for children.

BIOGRAPHY.

From the New Monthly Magazine, Jan. 1820.

CANOVA, THE SCULPTOR.

HIS celebrated artist was born in the year 1751, in the village of Possagno, in the Venetian States. He very early evinced a genius for the art in which he has since become so distinguished. When only twelve years of age, he modelled a lion in butter, and sent it to the table of the rich Signior Falieri, who was a liberal encourager of the young artist's rising talent. At the age of seventeen, Canova executed a Eurydice, half the size of life. He then left his instructor, a sculptor of Bassano, and went to study at the Venetian Academy of Fine Arts, where he obtained several prizes. In

1779, the Venetian senate expressed their approval of the talent be displayed in a groupe of Dædalus and Icarus, by presenting him with the sum of 300 ducats, and sending him to finish his studies in Rome. He first distinguished himself in that capital by his Theseus seated on the vanquished Minotaur, which has been very well engraved by Morghen. A groupe of Cupid and Psyche was the first production which afforded an ideaof the originality of Canova's taste in the expression of the softer affections. This was followed in close succession by the groupe of Venus and Adonis; the Mausoleum

of Clement XIII., erected in the church of St. Peter at Rome; the figure of Psyche holding a butterfly between her fingers; the penitent Magdalen, one of his chefs-d'œuvre, now in the possession of M. Sommariva, at Paris; and the statue of Hebe. After this period, Canova also devoted his talents to subjects of a very different style, of which his two Pugilists (Krengas and Damoxenus), are the most successful examples. M. Quatremère de Quincy says, speaking of the Kreugas: "Every thing is grandly expressed; the style is broad and full; there is nothing mean, nothing borrowed; it is all ease, even to the execution."-Among the works which he afterwards executed, one of the most remarkable is, another groupe of Cupid and Psyche. In 1798, Canova left Italy, to accompany Prince Rezzunico on a journey through Prussia. On his return to Rome, he executed his Perseus holding the head of Medusa, which has been said to equal the Apollo Belvidere, at least as far as regards execution and beauty of form. The Pope purchased it to fill the place of the Apollo in the museum of the Vatican, and appointed the artist Inspector-General of the Fine Arts at Rome. Canova shortly after produced a companion to the Perseus in the statue of Mars Pacificator; when Pope Pius VII., in token of his approbation, created him a Roman Knight, and, with his own hands, presented to him the insignia of the order. About this period, he received an invitation from Napoleon, to visit Paris, for the purpose of executing his bust; but he refused to comply, until the Pope, who happened at that time to be in France, sent his mandate to that effect, which was instantly obeyed by Canova. On being asked by Napoleon why he had not attended to his summons, Canova replied that it was not his duty to obey the commands of any but his own sovereign. He was received in France with the most flattering marks of distinction and was appointed one of the associates of the Institute. After completing the bust of Napoleon, intended for a colossal statue, which as a whole Р ATHENEUM VOL. 7.

proved but mediocre, he returned to Rome, at the expiration of the same year. The Parisian critics said of this statue that it was very great, without producing a great effect. PerhapsCanova's failure in this figure may be attributed to the little pleasure with which he appeared to undertake it, and his eagerness to return to Italy. Bonaparte observing his impatientce, remarked that there were some fine works of art in Paris, to the examination of which some short time he thought might be well devoted. "I have seen them all before," was the laconic reply of Canova. The statue remained for a long time covered with a curtain in the museum, but was again exhibited on Napoleon's return from Elba in 1814, when a mould was taken from it, and it was multiplied in all the castshops in Paris, and it is now once more doomed to obscurity. In 1815, when the allied powers reclaimed the monuments of art collected in the Louvre, Canova was appointed by the Pope to superintend the removal of those which had formerly adorned the city of Rome. He consequently repaired to Paris, under the title of Ambassador from the Pope, and was there commissioned to execute the statue of the Emperor Alexander, which was to be placed in the palace of the senate at St. Petersburgh. From Paris he proceeded to London, principally for the purpose of examining the remains of the temple of Minerva which the Earl of Elgin had brought from Athens. There he was received with every mark of attention by the most distinguished individuals in the country, and his Royal Highness the Prince Regent presented him with a magnificent snuffbox set with diamonds. nova's residence in London, he went to During Casee the statue of his present-Majesty, by. Chantry, which stands in the Councilroom at Guildhall. In the same room hangs a large picture, by Northcote, representing the Death of Watt Tyler. The picture caught Canova's attention, and he exclaimed, "this is the finest modern historical picture I have ever seen! pray who is the artist, I must become acquainted with him." He

accordingly waited on Mr. Northcote a day or two after, when the latter gentleman had an opportunity of returning the compliment by relating the following anecdote: When Northcote was in Venice in the winter of 1779 he went to see the pictures in one of the palaces, and observed on the staircase a marble groupe of modern sculpture, the extraordinary excellence of which astonished him. He immediately turned and expressed his admiration of it to Mr. Prince Hoare, by whom he was accompanied. He enquired what sculptor could have produced so exquisite a work, and received for answer, that it was the performance of a young man of that city, named Canova, who was considered a promising genius. Canova had been some time in England before he saw the new Waterloo Bridge; and when he accidentally passed by it he expressed his regret at not having sooner had an opportunity of admiring what he regarded as one of the greatest curiosities this country possesses; he declared it to be unquestionably the finest bridge in Europe. During his short visit to this country, he obtained such a vast number of commissions, that he is said to despair of ever being able to fulfil them. Several specimens of his talent are already in this country, and a Venus, in the possession of the Marquess of Lansdowne, may, perhaps, be reckoned among the most success ful of his works. On his return to Italy, he was commissioned by the Pope to restore to their former situations the works of art which had just arrived from Paris.

On his arrival he was received with every honour. The academy of St. Luca went in a body to meet him, and the Pope, at a solemn audience, on the 5th of January, 1816, delivered to him, with his own hands, a paper, announ

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cing the enrolement of his name in the book of the capitol. He was shortly after created Marchese d'Ischia, with a pension of 3,000 Roman crowns. Canova has occasionally turned his attention to the study of painting, and he executed several pictures, one of which has been engraved; the subject is a Venus reclining on a Couch and holding a Mirror. He has also painted a portrait of himself. Among his bas reliefs, perhaps the most remarkable is that representing the city of Padua, under the form of a female. Canova's genius has been fostered by the writings of the ancient authors. It is his constant practice to have some one to read to him while he is occupied in the execution of his works. The characteristics of his style of sculpture are originality, facility, and fertility of execution. Among his most celebrated works may be reckoned, a Statue of Napoleon's Mother, in the character of Agrippina: a Venus rising from the Bath; a Statue of the Princess Borghese, half draped, reclining on a couch, with her head resting on one hand, and an apple in the other the bust of Pope Pius VII.; the bust of Emperor Francis II.; and a monument to the he memory of his friend Valputo, an engraver. Canova has been blamed by some critics for endeavouring to impart to his statues an air of reality, and of heighening their resemblance to nature by artificial means unconnected with the province of sculpture; namely by colouring the eyes, lips, &c.; a practice quite unusual among modern sculptors. This, bowever, he manages with so much delicacy, that it is scarcely perceptible, and if it do not, as many maintain, impart an additional charm to the statue, it is at least certain that Canova never suffers the colouring to obtrude so as to become offensive to the eye.

NATURAL HISTORY.

From the Quarterly Journal of Literature, &c. SINGULAR ANECDOTE OF THE SPIDER, &c. By Capt. Bagnold.

ESIROUS of ascertaining the natural food of the scorpion, I enclosed one of an inch long, in a

wide-mouthed phial, together with one of those large spiders so common in the West Indies, and closed it with a cork,

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