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THE

CHRISTIAN PSALM

OR,

HYMNS,

SELECTED AND ORIGIN

BY

JAMES MONTGOMERY

99 66

AUTHOR OF "THE WORLD BEFORE THE FLOOD," SONG
"THE CHRISTIAN POET," &c.

WITH AN

INTRODUCTORY ESSA

"The liveliest emblem of Heaven that I know up
when the people of God, in the deep sense of his ex
bounty, from hearts abounding with love and joy, jo
both in heart and voice, in the cheerful and melodiou
his praises."-BAXTER'S SAINTS' REST.

SEVENTH EDITION.

GLASGOW :

PRINTED FOR WILLIAM COLL

OLIVER & BOYD, WM. WHYTE & CO. AND WM. OLIPHANT,
W. F. WAKEMAN, AND WM. CURRY, JUN. & CO. DU
WHITTAKER, TREACHER, & ARNOT; HAMILTON, ADAN
AND SIMPKIN & MARSHALL, LONDON.

MDCCCXXXII.

HOW

[Origmals, 462-562)

459 1M6 ть 1832

INTRODUCTORY ESSAY.

verse.

SONGS and Hymns, in honour of their Gods, are found among all people who have either religion or There is scarcely any pagan poetry, ancient or modern, in which allusions to the national mythology are not so frequent as to constitute the most copious materials, as well as the most brilliant embellishments. The poets of Persia and Arabia, in like manner, have adorned their gorgeous strains with the fables and morals of the Koran. The relics of Jewish song which we possess, with few exceptions, are consecrated immediately to the glory of God, by whom, indeed, they were inspired. The first Christians were wont to edify themselves in psalms, and hymns, and spiritual songs; and though we have no specimens of these left, except the occasional doxologies ascribed to the redeemed in the Book of Revelation, it cannot be doubted that they used not only the psalms of the Old Testament, literally, or accommodated to the circumstances of a new and rising Church, but that they had original lays of their own, in which they celebrated the praises of Christ, as the Saviour of the world. In the middle ages, the Roman Catholic and Greek churches statedly adopted singing as an essential part of public worship; but this, like the reading of the

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