Elements of CriticismHuntington and Savage, 1842 - 504 pagina's |
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Pagina 21
... ornaments , and the superior before the inferior or de- pendant : we are equally averse to enter into a minute consideration of constituent parts , till the thing be first surveyed Ch . 1. ] 2 . PERCEPTIONS AND IDEAS IN A TRAIN .
... ornaments , and the superior before the inferior or de- pendant : we are equally averse to enter into a minute consideration of constituent parts , till the thing be first surveyed Ch . 1. ] 2 . PERCEPTIONS AND IDEAS IN A TRAIN .
Pagina 23
... ornaments , which are not felt in the opposite course . Elevation touches the mind no less than grandeur ; and in raising the mind to elevated objects , there is a sensible pleasure . The course of nature , however , has still a greater ...
... ornaments , which are not felt in the opposite course . Elevation touches the mind no less than grandeur ; and in raising the mind to elevated objects , there is a sensible pleasure . The course of nature , however , has still a greater ...
Pagina 43
... ornaments upon one who is homely , must be elegant indeed to have any remark- able effect in improving her appearance . * The emotions produced as above may properly be termed secondary , being occasioned either by antecedent emotions ...
... ornaments upon one who is homely , must be elegant indeed to have any remark- able effect in improving her appearance . * The emotions produced as above may properly be termed secondary , being occasioned either by antecedent emotions ...
Pagina 46
... ornaments , the mind is not satisfied with a single transition from the former to the latter ; it must also view the relation , beginning at the latter , and passing from it to the former . This vibration of the mind in passing and ...
... ornaments , the mind is not satisfied with a single transition from the former to the latter ; it must also view the relation , beginning at the latter , and passing from it to the former . This vibration of the mind in passing and ...
Pagina 104
... ornaments . There is an additional rea- son for simplicity , in works of dignity or elevation ; which is , that the mind attached to beauties of a high rank , cannot descend to infe- rior beauties . The best artists , accordingly , have ...
... ornaments . There is an additional rea- son for simplicity , in works of dignity or elevation ; which is , that the mind attached to beauties of a high rank , cannot descend to infe- rior beauties . The best artists , accordingly , have ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
accent action admit Æneid agreeable appear beauty blank verse Cæsar Chap circumstances color congruity connected degree Demetrius Phalereus dignity disagreeable distinguished distress effect elevation emotion raised emotions produced epic poem epic poetry equally Euripides example expression external signs Falstaff feeling figure final cause Fingal foregoing former garden give grandeur gratification hand Hence Henry IV Hexameter human ideas Iliad imagination impression instances Julius Cæsar kind language less manner means melody mind motion Mourning Bride nature never novelty observation occasion opposite ornaments Othello painful Paradise Lost passion pause perceived perceptions person pleasant emotion pleasure poem propensity proper proportion propriety qualities reason regularity relation relish remarkable resemblance respect Richard II ridicule risible rule scarcely sense sensible sentiments Shakspeare simile sion sound spectator Spondees sublime succession syllables taste termed thee things thou thought tion tone uniformity variety verse words writer
Populaire passages
Pagina 332 - As when to them who sail Beyond the Cape of Hope, and now are past Mozambic, off at sea north-east winds blow Sabean odours from the spicy shore Of Araby the Blest ; with such delay Well pleased they slack their course, and many a league Cheer'd with the grateful smell old Ocean smiles...
Pagina 112 - Why, man, he doth bestride the narrow world, Like a Colossus ; and we petty men Walk under his huge legs, and peep about To find ourselves dishonourable graves.
Pagina 397 - There are a sort of men, whose visages Do cream and mantle like a standing pond...
Pagina 142 - My liege, I did deny no prisoners. But, I remember, when the fight was done, When I was dry with rage, and extreme toil, Breathless and faint, leaning upon my sword, Came there a certain lord, neat, trimly...
Pagina 395 - O, you hard hearts, you cruel men of Rome, Knew you not Pompey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The live-long day, with patient expectation, To see great Pompey pass the streets of Rome...
Pagina 445 - With mazy error under pendent shades Ran nectar, visiting each plant, and fed Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain...
Pagina 406 - With thee conversing I forget all time ; All seasons and their change, all please alike. Sweet is the breath of morn, her rising sweet, With charm of earliest birds...
Pagina 329 - And thus still doing, thus he pass'd along. DUCH. Alas, poor Richard! where rides he the whilst? YORK. As in a theatre, the eyes of men, After a well-grac'd actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God save him...
Pagina 84 - I cannot tell what you and other men Think of this life ; but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself.
Pagina 242 - tis an unweeded garden, That grows to seed; things rank and gross in nature Possess it merely. That it should come to this! But two months dead: nay, not so much, not two...