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Pagina 748 - That undisturbed song of pure concent, Aye sung before the sapphire-coloured throne To him that sits thereon, With saintly shout and solemn jubilee ; Where the bright seraphim in burning row Their loud uplifted angel-trumpets blow ; And the cherubic host, in thousand quires, Touch their immortal harps of golden wires...
Pagina 127 - And Ruth the Moabitess said unto Naomi, Let me now go to the field, and glean ears of corn after him in whose sight I shall find grace. And she said unto her, Go, my daughter.
Pagina 748 - AT A SOLEMN MUSIC Blest pair of Sirens, pledges of Heaven's joy, Sphere-born harmonious sisters, Voice and Verse, Wed your divine sounds, and mixed power employ, Dead things with inbreathed sense able to pierce...
Pagina 127 - And the name of the man was Elimelech, and the name of his wife Naomi, and the name of his two sons Mahlon and Chilion, Ephrathites of Beth-lehem-judah. And they came into the country of Moab, and continued there.
Pagina 228 - There is no singing in parts, as we understand it, and yet no two appear to be singing the same thing— the leading singer starts the words of each verse, often improvising, and the others, who "base" him, as it is called, strike in with the refrain, or even join in the solo.
Pagina 873 - A dance, in which every motion was a word, and rest as eloquent as motion ; in which every attitude was a fresh motive for a sculptor of the purest school, and the highest physical activity was manifested, not, as in the coarser comic pantomimes, in fantastic bounds and unnatural distortions, but in perpetual delicate modulations of a stately and self-restraining grace.
Pagina 228 - basers " themselves seem to follow their own whims, beginning when they please and leaving off when they please, striking an octave above or below (in case they have pitched the tune too...
Pagina 5 - Maries, the head of St. Joseph, and the back and arm of the figure leaning over the Cross; the whole surrounded with a dark sky, except a little light in the horizon, and above the Cross. The historical anecdote relating to this picture, says, that it was given in exchange for a piece of ground, on which Rubens built his house; and that the agreement was only for a picture representing their patron, St. Christopher, with the Infant Christ on his shoulders. Rubens who wished to surprise them.