The Literature/film Reader: Issues of AdaptationJames Michael Welsh, James M. Welsh, Peter Lev Scarecrow Press, 2007 - 361 pagina's From examinations of Francis Ford Coppola's Apocalypse Now to Alfred Hitchcock's Vertigo, The Literature Film Reader: Issues of Adaptation covers a wide range of films adapted from other sources. The first section presents essays on the hows and whys of adaptation studies, and subsequent sections highlight films adapted from a variety of sources, including classic and popular literature, drama, biography, and memoir. The last section offers a new departure for adaptation studies, suggesting that films about history--often a separate category of film study--can be seen as adaptations of records of the past. The anthology concludes with speculations about the future of adaptation studies. Several essays provide detailed analyses of films, in some cases discussing more than one adaptation of a literary or dramatic source, such as The Manchurian Candidate, The Quiet American, and Romeo and Juliet. Other works examined include Moby Dick, The House of Mirth, Dracula, and Starship Troopers, demonstrating the breadth of material considered for this anthology. Although many of the essays appeared in Literature/Film Quarterly, more than half are original contributions. Chosen for their readability, these essays avoid theoretical jargon as much as possible. For this reason alone, this collection should be of interest to not only cinema scholars but to anyone interested in films and their source material. Ultimately, The Literature Film Reader: Issues of Adaptation provides an excellent overview of this critical aspect of film studies. |
Vanuit het boek
Resultaten 1-3 van 34
... camera ) . A long take follows : The camera moves rather unsteadily down from the carriage , up the front steps , and into the hallway of the house ( this is implied . to be a person's point of view - actually Melmotte's ) ; just as he ...
... camera's eye has the double function of both presenting to our eyes and pretending to be our eyes , and this break or hinge in the jointure between the camera's point of view and the spectator's seeing is particularly felt when we are ...
... camera was upside down . So you see them upside down . . . ' I now pronounce you man and wife , ' and they're the right way up . It's witty , it's succinct . And it's cheap " ( Davies , 2001 ) . Thus by including a single frame showing ...
Inhoudsopgave
It Wasnt Like That in the Book | 3 |
Purposes | 51 |
Imaging MobyDick in 1956 and 2001 | 65 |
Copyright | |
19 andere gedeelten niet getoond
Overige edities - Alles bekijken
The Literature/film Reader: Issues of Adaptation James Michael Welsh,James M. Welsh,Peter Lev Gedeeltelijke weergave - 2007 |